Prokofiev: Romeo and Juliet

DG presents John Williams in Vienna, the live recordings of the Hollywood legend's Vienna Philharmonic 2020 debut. Saying it's "one of the greatest honors of my life," he received a standing ovation before a single note was played. Sharing the stage with the famous orchestra and violinist Anne-Sophie Mutter, he performs iconic themes from Star Wars, Harry Potter, Indiana Jones, Jurassic Park and other cinematic landmarks that have earned countless awards: 5 Oscars, 5 Emmys, 25 Grammys & more.

As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

The Vienna Philharmonic Orchestra welcomes in the New Year as the world watches: 50 million classical music fans tune in to the New Year's Concert from the flower-decorated Golden Hall of the Musikverein.

John Williams has made cinematic history with his film scores and transported entire generations into his musical worlds. He has composed the soundtracks for cinema blockbusters such as Star Wars, Jurassic Park, E.T. and Harry Potter. In this concert, he conducts some of his most famous film classics. At the same time, this is his debut on the podium of the Berliner Philharmoniker. May the Force be with him ...

For the 2014/15 Opening Night Concert and Gala, the Los Angeles Philharmonic paid loving tribute to composer John Williams, long a champion and close friend of the LA Phil. Gustavo Dudamel, an awestruck fan of the musical icon, led the orchestra in a crosssection of Maestro Williams' matchless canon. Featuring Itzhak Perlman with a very special musical performance of pieces from Schindler's List as well as the Cadenza and variations from Fiddler on the Roof. Jazz elements will fill the air during Escapades from Catch Me if You Can, and may the force be with you during the iconic tunes from Star Wars.

Kirill Serebrennikov is staging *Das Rheingold* as a global post-apocalyptic drama for the 2026 Easter Festival. The director is known for his uncompromising productions. In this new interpretation, he transforms the material into a symbol-laden global theatre piece. Kirill Petrenko will be the musical director of *Das Rheingold*.

German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.

The male circle of the Grail Knights is in crisis. Time and again, knights desert to the counter-realm of the sorcerer Klingsor, who had previously been rejected by the circle of knights. With the help of seductive women, above all Kundry, he succeeds in bringing down the knights. He is even able to tempt the Grail King Amfortas into a misstep. He steals his sacred spear and inflicts an incurable wound. As a result, Amfortas' ritual duty of unveiling the Grail has become an ordeal. Only a pure fool is destined to undo the Grail King's fall from grace and reverse its devastating consequences.

Based on Alexander Pushkin’s dramatic verse novel "Eugen Onegin", the ballet tells the tragic love story of the world-weary aristocrat Onegin and the naïve country girl Tatiana. John Cranko’s Onegin holds a special place in the choreographic repertoire of the second half of the 20th century as one of the few original full-length ballets.

At the Salzburg Festival 2021, the musicAeterna Orchestra conducted by Teodor Currentzis performed the last symphonies of Wolfgang Amadeus Mozart – No. 40 K. 550 and No. 41 K. 551 Jupiter. The two pinnacles of Mozart’s symphonic heritage are interconnected: the classic wrote symphonies No. 39–41 in one short period of just a few fruitful weeks in 1788. In the concert the two symphonies – the two sides of Mozart’s unfathomable genius – are joined by works that are close to them both in spirit and the time of creation: the orchestral Masonic Funeral Music in C minor, the recitative and aria of Donna Anna from the finale of the opera Don Giovanni and the chorus from the spiritual cantata Davide penitente created in 1785.

In the second part of this magnificent concert celebrating music from across Europe, Lukas Sternath, Martha Argerich, Bruce Liu and Hayato Sumino perform the finest piano concertos by Beethoven, Schumann, Tchaikovsky and Rachmaninoff.

Enjoy Ravinia Festival’s production of Leonard Bernstein’s theater piece starring Tony Award-winning baritone Paulo Szot and featuring the Chicago Symphony Orchestra. Baltimore Symphony Orchestra artistic director Marin Alsop conducts.

Mariss Jansons Dvorak: Stabat Mater Op.58

The famed Vienna Philharmonic rings in the New Year with its annual concert from Vienna's Musikverein conducted for the first time by Yannick Nézet-Séguin with performances by the Vienna State Ballet and location segments hosted by Hugh Bonneville.