Maestro

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

After the train conductor Pētersons receives money transfer from an unknown source, he suspects foul play involving the cargo he's transporting. He decides to do his own investigation into the matter, not realizing that he's putting himself and those around him in danger.

Latvian artist Gustavs Klucis embraced the technological revolution of the early 20th century and applied it to his art, becoming a classic of Russian constructivism. He created photo-montage and Lenin’s public image, and became the most important Soviet artist. Killed by Stalin’s regime, his artistic career poses many unanswered questions. This documentary reveals many secrets and intimate moments of his dramatic personality – the unequal duel between the Artist and the Power.

Direct and meticulous observation of interpersonal relations is a classic subject in documentary films. In this film the title of which alludes to “Hamlet”, we will observe the birth of compassion in people. Compassion is something that has to be dealt with in very rigorous terms, something that needs to be stripped of the layers of clichés that this word has amassed over the years. Is it always a true feeling or just an imitation? How does a deep compassion spring forth? Who are the true “masters of compassion” and what are they like?

The 20th century dreamt of utopia but instead experienced tragedies. This film looks at San Francisco-based Latvian artist and playwright Raimonds Staprāns’ nearly century-long experience of trying to define life and statehood. It constructs an exact replica of one of his paintings, and asks actors to portray characters from his plays. Keeping in mind the symbolically charged image of the red barn in the painting, it deliberately incites arguments between the actors, the director and the crew about the motivations of the characters as well as alternative actions or decisions that they could have taken but did not.

Post-war Latvia. Francis' gang operates in a small town and the new KGB agent Juris Vilks has been asked to infiltrate his gang and gain his confidence.

A film about Riga's more than 800 years of history and the city's development through the centuries. The film serves as a rich source of reference material and an incentive to further explore Riga's cultural and historical monuments, as well as an encouragement to get to know Riga.

Jānis was an actor – respected and in demand. Dina came to the Liepāja Theatre to become an actress. In the summer of 1992, Jānis fell off the roof of his house, broke his back and was partially paralysed. The doctors promised things would get better but they didn’t. They now live in a harsh reality which seems unbearable.

A bureaucrat who has just declared himself as a new political force has disappeared… in a canteen; police are investigating. Combining the absurd and black humour, a harsh and ironic reflection on civil servants, cops, and contemporary art.

In the Gulf of Finland shipwreck hunters come across the remains of a sunken ship. Having examined the images obtained by an underwater robot, researchers come to a conclusion that the wreck remains are that of “Krišjānis Valdemārs” – independent Latvia´s first icebreaker. The story of an icebreaker allows viewers to the look at the history of Latvia between wars from a new angle and provides insights into the little known, but fascinating episodes of a maritime history.

The code to unlocking this feature documentary is 1949, the year the director was born, and also the year of the return of Soviet repressions to Latvia. The film tells a very personal story against the background of less visited historic events – the death of director’s father due to the KGB repressions, which is closely linked to the devious game Soviet Latvia’s KGB played against Swedish-British-American spy agencies.

After his family was introduced on a national TV as a "perfect family", the son Robert has a hard time confronting all the lies related to this accidental fame.