Earthware

This feature film is an exotic romp through the ’60s in song and dance. A fantasy that pokes fun not only at some hallowed institutions but at itself as well.

Described as "the jauntiest meat-is-murder movie ever made" and "irrational," "Deadpan" deals with dinner-table angst from the fifties. Laughter is forbidden. Anxiety reigns. Cow tongue is served. What to do?

Reflections of a man who as a young boy spent his summers in a small Canadian town.

A biology lab circa 1920, becomes colourized as the camera engages in a number of pans past strange forms in bottles and under glass. This is the basis for a formalist exploration of shape, colour and tonal loops on the sound track.

The re-animation via rotoscope of parts of Bud Fischers SLICK SLEUTHS (1928) into a loopform.

In the dark winter of 1995, Linda Giles, a Victoria-based installation artist, had a show at the old XChanges Gallery on North Park Street, in Vancouver. Before the show came down, Suzy Raxlen donned her black tutu and inked her sensitive hands with the printers ink that she plied in her trade as a master printer. She moved through the gallery of white veils, acting out a minimalist dance of thwarted desire, repression and frustration...

1930's found-footage, slowed down with original music.

A short, sweet tape. Kind of painterly in its use of camera as it moves in a fluid way over a set that consists of a white picket fence, a plastic goose and hen, plastic, larger-than-life daisies, and some miscellaneous electronic gismos.

An intriguing inside-out view of moving figures and images, made by using a color negative print. Figures and faces appear in a shimmering haze. These are shades of people and of movements, appearing, retreating, as in a mirage.

"Mutt and Jeff meet Felix in a battle for the letter "U". Using old black and white cartoons and contact-printed 35 mm film that I scratched on, I combined the three elements into a primordial soup." Rick Raxlen

Part of a trilogy that started with Grey's Lullaby, Tongue Tied was shot and processed at E.T.C. and set aside for three or four years. It deals with an artist on a voyage and is reflective without being too serious. It is in black and white, and uses a strobing grey pattern of digitized images.

A portrait of male mid-life crisis as told through the story of a frustrated poetry teacher--and sometime madcap radio deejay--who's fond memories of watching Roy Rogers on TV is activated when an old childhood buddy drops in for a visit.

A one-minute animation treat that celebrates the art of sound poetry as Christian Bök recites words from Hugo Ball, one of the leading pioneers of phonetic poetry.

One-minute of found footage of Mutt and Jeff from 1926 is literally reconstructed via paper prints from photocopies and pen and ink drawings.

"I am sent to camp as a nine year old. I cannot swim, and my parents have gone to Europe for six weeks! It is 1954, and I have not been away from home much…so I refuse to swim, and fish off the dock. My mother writes in her trip book. It is the only book she will write. I catch a big fish. The camp director takes my picture… They should have taken me to Europe with them. I would have behaved." –R.R.

Hula dancing. Animation; mixed media.