Latin Boys Go to Hell

Performance artist, Carmelita Tropicana, lives in Manhattan's East Village, by Hamilton Fish Park. After a performance one night, she's mugged by a knife-wielding thief. The next day, in a clash with anti-abortion protesters in front of a woman's health clinic, Carmelita is arrested, along with her lively friend Orchida and her sort-of up-tight and wannabe-wealthy sister, Sophia. They're placed in a cell with another woman, who turns out to be last night's mugger, a down-and-out young woman named Cordelia (Dee). Relationships between each pair of women and among the four of them go through changes as the afternoon passes.

A “narrative” film centered on young artists living in New York City around 1979. The film is about a certain stage in the development of a young artist confronting the real world in terms of her own idealistic notions of what art is supposed to do. You never see her. She is the camera’s eye and when someone says to the camera “My darling be careful”, it could be addressing her or you the spectator. The subjective camera set-up challenges your position as an impartial observer. - BM

Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.

This acclaimed Emmy Award-winning anthology series features documentaries and a limited number of fiction films united by the creative freedom, artistic achievement and unflinching visions of their independent producers and featuring unforgettable stories about a unique individual, community or moment in history.

In 1983, filmmaker and poet Abigail Child cut up old footage from Between Times, a documentary profile of high school girls in Minneapolis which she had produced for WNET/PBS back in 1975. That footage would then be integrated into work of a drastically different kind: The film was called Mutiny which, by its very name, signaled her abandonment of the humanist documentary tradition to which Between Times belonged, to become, in her words, “a prismatic rhythmic pinwheel” born of the artistic and political necessity to radically rethink form. Mutiny, in turn, stood as one of the most densely woven in a series of bold experiments that came to be known as Is This What You Were Born For?

Shareen and Claire, a lesbian couple living on Staten Island, find themselves ensnared in a vast conspiracy involving a ghost ship of nuclear refuse, ominous television commercials, and deadly cat food.

It begins with footage from a stylish old potboiler about an isolated convent, whose tale of passions leashed and unleashed provides the leitmotif for a young lesbian who watches it and the lonely nun she pursues and seduces. As the two women's lives come closer to joining, voiceovers from the biography of a 16th century lesbian nun and the reminiscences of a woman's closeted romances at a Catholic school flesh out the theme.

A euphoric lesbian sex video features a group of women in a frenzy of erotic scenes with poetry, slowly dripping water, fancy goldfish, and an ecstatic score by Sheila Chandra. Experimenting with pro-sex feminist media practices and pornography, Sex Fish was made as a collaboration known as E.T. Baby Mania.