Anatomy of Violence

At its peak, one million New York Jews spent their summers in the Borscht Belt, the birthplace of Jewish-American iconoclastic humor. This film shows how these Catskills communities were run by women, and how class divisions were reflected in the resort hotels: upwardly-mobile hotel guests were entertained by a who's-who of talent, while in the bungalows, do-it-yourself burlesque and vaudeville reigned among the blue-collar families. This film is happy, humane, ironic, and, finally, bittersweet, as we see that today's Jews no longer share the tastes or aspirations of their parents.

Uses archival photographs, newsreel footage, and interviews to chronicle the quest by Black South Africans for economic viability and individual freedom.

A documentary overview and ideological critique of the South African film industry and cinema's historical relationship with apartheid.

In this satirical rendering of the history of American intervention in the Philippines following the Spanish-American War, the silent movie format with lively ragtime piano music is combined with a dramatically understated narration and excerpts from "newsreels" of the period to reveal the nature of American attitudes toward Third World peoples and significant parallels with contemporary American foreign policy.

A film about the career and methods of the master silent comedy filmmaker.

A stimulating, hilarious, provocative collection of the best American films dealing with you-know-what. Prize-winning films chosen by judges Gore Vidal, Andy Warhol, Terry Southern, Milos Forman, Holly Woodlawn, Sylvia Miles and Xaviera Hollander at the last two Erotic Film Festivals in New York.

The work of strippers in the Phoenix Club of Old Compton Street, Soho. Includes interviews with the girls, the stage show and backstage scenes.

On March 7, 1967, 40 million Americans tuned in to watch CBS Reports: The Homosexuals, network television’s first documentary on homosexuality. Near the top of the program, host and interviewer Mike Wallace calls homosexuals “the most despised minority in the United States.” The hour that follows is filled with salacious location footage, sermonizing therapists, and shadowed interviews with distraught homosexuals.

A fascinating, unsettling study of immigration in 1960s English cities.

behind-the-scenes footage from the making of Hi, Mom! by filmmaker Peter Davis, featuring candid images of the cast and crew

About a group of "Rockers" who belong to a British motorcycle club. Included are interviews with both male and female bikers. The film is largely based on candid interviews where the bikers respond to questions about politics, society, freedom and independence.

One of three London sketches directed by Peter Davis, Pub was filmed at the Approach Tavern on Approach Road, leading up to Victoria Park in East London. It was made for Swedish television to give an impression of a typical working-class British pub.

This biography of the well known scientist and nature program host details his early life as a child in a WW2 internment camp and the development of his environmental philosophy.

Documentary about the first self-made American millionairess, Madam C.J. Walker.

Friends and contemporaries of the great English writer recall remarkable episodes from his life and times.

News documentary from 1968 hosted by George Foster, exploring the legacy of oppression that remains over 100 years after the abolition of that peculiar institution. In Part 1, Foster visits Charleston, SC, and speaks with both descendants of slaves and slave owners. The cameras capture a sermon by Rev. Henry Butler of the Mother Emmanuel AME Church (where Denmark Vesey planned an unsuccessful slave revolt in 1822 and Dylan Roof would later kill 9 church members in 2015). In Part 2, the cameras go to Mississippi to speak with former sharecroppers and political activist FANNIE LOU HAMER. In the final segment, we travel to Chicago, where Prof. JAMES TURNER and activist CALVIN LOCKRIDGE educate young people about revolution. Ebony Magazine editor and historian LERONE BENNETT offers a poignant analogy to describe the times we are in today.