Edges

On board a train on its last trip, five people know each other, collide, make friends and solve their personal issues finding out what's really important in life.

Set in Lanciano in 1984 , " The Diary " is a film that tells the true story of love between two lesbians girls: Vittoria and Elisa . The whole story revolves around a diary , that of Elisa , which is read randomly from her friend . It will be the diary to be blossoming romance between the two and to solidify the union of friendship, brotherhood and humanity that he will involve other people close to the two girls . Based on a true story , the film is also the story of past memories of a homosexual girl who , after the death of her partner , he decided to change his life and marry a boy , with whom will also have a beautiful child . A long journey between generations , epochs , traditions that has as its theme the love .

During a scorching summer in the mountains of southern Italy, young, shy Luca develops an attraction for Valerio, an older boy with a passion for motorcycles. The two meet in secret, in the quiet of the countryside just outside the small town where they live. Chasing a desire that slowly escalates into obsession, Luca is forced to come to terms with the blurred boundary between pleasure and violence.

An home movie documentary about a young man with a camera who tries to recount and reframe a pivotal moment in his childhood: the death of his mother. An intimate and personal story about what remains of that mother-son relationship, now marked by an unbridgeable distance and an absence with which it is necessary to come to terms.

Kath, an Italian-Filipino woman, works remotely as a digital content moderator in Genoa. When she learns that a colleague in the Philippines has taken his own life—crushed by the very job that fills her own days (the endless cataloging of beheadings, torture, live-streamed suicides, and child abuse)—she initially takes two days off, then extends her break, no longer convinced she can bring herself to return to her terminal. A massage appointment introduces her to Jenny, a Filipino woman who tends to people's bodies as a side job. That scheduled hour evolves into something more—an encounter neither woman expected. Each carrying her own burdens and losses, they finally find a way, together, to stop being invisible. The screen, once capable only of wounding them, now reflects a new image: a redemptive possibility for healing.