Meçhul

After the earthquake; D. surrounds himself with nature, becoming a recluse. Both D. and the nature go through a transformation as the seasons change. Winds howl, waves soar and the crickets chirp no more. The storm wets the dried earth, healing its cracked surface and starting a new cycle of life. D. disappears and the summer house returns to its lonely existence.

A Turkish-Jewish family faces a series of dilemmas on the morning of Susam’s Bar-mitzvah ceremony with the limitations of Shabbat day rules when Susam locks himself in his room and does not get out for his ceremony.

Ahmet, who confuses an Edgar Degas painting that his father brought home for a woman named Fahriye, who is constantly talked about in the house; interprets the unrest at home through the painting, and the painting becomes a symbol of forbidden facts for Ahmet.