Verdi: Messa da Requiem

Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in co-production with the Paris Opera, Bel air Media and Arte, with support from the CNC.

Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.

The Vienna Philharmonic Orchestra performed for the first time in its history at the Palais Garnier on May 11, 2025. A centuries-old institution, this orchestra has been the embodiment of musical excellence in Europe and around the world for more than 180 years.

Newman's poem tells the story of a soul's journey through death, and provides a meditation on the unseen world of Roman Catholic theology. Gerontius (a name derived from the Greek word geron, "old man") is a devout Everyman. Elgar's setting uses most of the text of the first part of the poem, which takes place on Earth, but omits many of the more meditative sections of the much longer, otherworldly second part, tightening the narrative flow.

Raphaël Pichon and his Ensemble Pygmalion resonate with the humanity, hope and light that permeate Johann Sebastian Bach's most beautiful sacred scores. A concert full of emotion.

In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. John Adams, a major musical figure of the last forty years, made this event of contemporary history the subject of his first opera. Nixon in China tackles the political thaw instigated by ping-pong diplomacy, begun by the invitation of the American table tennis players by their Chinese counterparts, one year before the presidential visit. A mesmerising work in which the pulsations and repetitions typical of minimalism are combined with melodic lines of great lyricism. For its entry into the Paris Opera repertoire, this work has been entrusted to the director Valentina Carrasco, who underlines the importance and the mediating power of Chinese national sport in history.

Romeo Castellucci interpretation of Mozart's final work.

A musical and visual account of the life and exceptional and immortal work of the French composer Maurice Ravel (1875-1937).

For years, *The Magic Flute* has been one of the most frequently performed operas at the Aix-en-Provence Festival. After an eight-year absence, Mozart’s work is now back on the programme. Clément Cogitore interprets the plot as a modern coming-of-age story: Tamino and Pamina leave the world of childhood behind and enter a reality in which beauty is fragile and truth is uncertain.

Opera in three acts by Christoph Willibald Gluck, Hector Berlioz's version (1859)

The grand closing concert of the 2024 edition of the Nantes classical music festival. The programme includes Dvorak's ‘Slavonic Dance’, Pablo de Sarasate's ‘Bohemian Airs’ and the first movement of Tchaikovsky's ‘Concerto for Piano and Orchestra No. 1’. Also excerpts from works by Chopin, Albéniz, Mascagni, Puccini and Sibelius.

At Berlin’s Funkhaus, virtuoso pianist Alexandre Kantorow and star soprano Regula Mühlemann dazzle in this stunning program featuring Brahms’s Piano Concerto No. 2 and Mahler’s Symphony No. 4 alongside Teodor Currentzis and his renowned Utopia Orchestra.

The Pygmalion Ensemble, led by conductor and countertenor Raphaël Pichon, is renowned for its refined sound on period instruments. Together with vocal stars Sabine Devieilhe, Lea Desandre, Johannes Martin Kränzle, Julian Prégardien, and Daniel Behle, the ensemble delves into rarely performed works by Wolfgang Amadeus Mozart.

Live from Nantes, a dazzling musical journey between Paris and Vienna. On the program: works by Tchaikovsky, Mozart, Schubert, Johann Strauss II (transcribed by Schoenberg), and Saint-Saëns.

The closing concert of La Folle Journée de Nantes, galvanized by the ebb and flow of the Volga, Mississippi, and Moldau rivers. The program features works by Maria Bach, Franz Schubert, Clara Schumann, Robert Schumann, Richard Wagner, and Bedrich Smetana.