Sons do Igarapé

Friends Tamiris, Rafael and Victor go into a whirlwind of emotions resulting good times, but also regret and loss.

Omar gives up going to a job interview in Manaus and decides to embark on a road trip with strangers. On a day when all sounds tedious and pragmatic, it seems to be the road the only way to Omar to seek courage and answers to one life in the city that does not satisfy him anymore.

In this semi-autobiographical drama, filmmaker Diego Bauer plays a fictionalized version of himself confronting his past and present during a drastic weight-loss journey. As his body changes, he revisits memories of childhood, family, and social stigma, while questioning masculinity, desire, and belonging. Alongside this process, he reflects on his bisexuality and attraction to male and female bodies, exposing confusion, vulnerability, and self-acceptance. Blending fiction and confession, the film follows his attempt to reconcile who he was with who he is becoming in a society obsessed with norms and appearances.

Living in the countryside of the Amazon in Brazil, Argentinian María divides herself between two lives: in the community, where she lives with Dona Belém and her son, and on her suspicious trips.

After the contact of a spirit from the forest, Pietro returns to Manaus to save her. He must prevent the city from being destroyed by a Big Snake that sleeps in the region's underground.

Renata is a young peasant girl from Brazil at the end of the 19th century. She lives with Salomon, the evangelical pastor of the village, and two pregnant women. Salomon performs an exorcism in which he ends up killing a Guaraní man who supposedly invaded his lands. After the event, Renata wbegins to receive different demonic signs that put her faith and her surroundings to the test.