Polytechnique: What Remains of December 6

After André Levesque missionnaire, Oksana Karpovych is back at the RIDM with her first feature, which she filmed in her native country, Ukraine. To take the pulse of the country, the filmmaker adopts one of documentary cinema’s most prolific sub-genres: the train film. Filmed entirely in the old, run-down, overcrowded passenger trains used by ordinary Ukrainians, the film captures conversations, observes the landscape, and accompanies several protagonists on their journey; they open our eyes to popular preoccupations in a country that seems perpetually anchored in its highly visible Soviet legacy. A fine lesson in listening and humanity.

Intimate portrait of four 70-year-old Quebec snowbirds who migrate every winter to Florida in search of sun, warmth and companionship. Behind their quest for love lies a desire to take advantage of this second and ultimate youth that comes with retirement.

A program featuring independent documentaries produced in Canada and abroad exploring regional, provincial, national and international perspectives. Through these films, Doc humanité seeks to reveal, share, show and explain the big issues of our time in all spheres of human endeavour and contribute to an improved understanding of Canada’s place in the modern world.