Lords of Riga

Plagued by an abusive childhood, a woman finds escape in competitive swimming, sexual experimentation, toxic relationships, and addiction before ultimately finding her voice through writing.

Harvard symbologist Robert Langdon is recruited by the Vatican to investigate the apparent return of the Illuminati – a secret, underground organization – after four cardinals are kidnapped on the night of the papal conclave.

World-renowned journalist and human rights activist Anna Politkovskaya went from being a local print journalist to braving the Chechen killing fields and exposing Russian state corruption under Vladimir Putin. She refused to give up reporting on the war in Chechnya despite numerous acts of intimidation and violence, including being poisoned. She was ultimately murdered in the elevator of her block of flats and it remains unclear who paid for the contract killing.

In the aftermath of the Second World War, Josef Mengele, the Nazi doctor at Auschwitz, escapes to South America to rebuild his life in hiding. Through the eyes of his son who finds him again, Mengele is confronted with a past he can no longer ignore. From Buenos Aires to Paraguay via Brazil, the man who became known as “The Angel of Death” will organize his methodical disappearance to avoid any form of trial.

In 1873, brave men known as the New Latvians held the first-ever Latvian song festival under the watchful eye of oppressive censorship. This massive celebration, featuring 1,003 singers – both men and women – changed the course of the nation’s history. It stands as a unique example of non-violent resistance in the fight for freedom against imperialism, led by Latvia’s entrepreneurs, writers, publicists and ordinary villagers.

“Collective.Me” is an ironic comedy about the concept of lies and loss of faith. In a small village, a paper mill is expecting a visit from the Ministry. While the director and his team is looking for creative tools to subvert official’s attention, something much more important slips by unnoticed.

Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.