Le storie che saremo

In Torino, a bittersweet crowd is bringing its own belongings to a pawn shop, waiting for a ransom or the final auction. Between the thousands of faces that tell the human inventory of the crisis, three stories intertwine unconsciously in the thin line of moral debt. Sandra, a young trans, in order to escape her past sells her fur coat. Her gaze will cross Stefano’s, a novice who just started working at the bank, and who drags her towards a tender obsession. Michele, a retired porter, asks for a loan to a family member, who will turn out to be fatally the wrong person to ask a favour from.

Adele and Sofia, childhood friends now in their thirties, reunite after years apart to fulfill a dream they once shared: reaching the summit of Mount Etna. But something feels off, and a bitter confrontation breaks out, opening old wounds and unveiling deeply buried secrets. They separate just as the volcano begins to tremble. Adele presses on alone, haunted by the wish that she had turned back and reached the crater together with Sofia to listen to the mountain’s magical breathing.

Murmur follows the real and metaphorical flight of a seagull, through the gaze of a female figure—suspended in indefinite time—who explores its physical and divine mechanics. Drawing inspiration from Nina's famous monologue from Anton Chekhov's The Seagull, Murmur engages—through a richly imaginative language—in a dialogue with the essence of a truly free art.

The objects found in people’s pockets – photos, pieces of paper – tell the stories of their owners' lives, their hopes and their pasts, according to forensic scientist Dr Cristina Cattaneo. Wallets with phone numbers, school reports, university IDs and passports, boxes of medication, T-shirts of European soccer teams, rings, telephones and memories.