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I'll Be Seeing Her

I'll Be Seeing Her

2002 · 52 min · Documentary

"I'll Be Seeing HER" is an approach to images of women in Korean cinema with a new genre, ‘Fanta Docu’, which shows beautiful and adventurous Korean actresses in the 1950s. The director, Kim Soyoung stated that “studying and teaching Korean cinema history, I felt sorry that most documentaries on Korean cinema had been made from the male perspective,” which led her to make a documentary on Korean cinema through women’s eyes. Kim So young directed ‘Women's History Trilogy’ (Koryu: Southern Women, South Korea, I'll Be Seeing Her: Women in Korean Cinema, New Woman: Her First Song) which was screened at many international film festivals including Yamagata International Documentary Film Festival.

Directed by Kim So-young · Written by Fanta Sisters

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Goodbye My Love, North KoreaGoodbye My Love, North Korea · 2019
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Where you are born is called “hometown”. What do you call where you are buried? A story about 8 North Koreans who went to Moscow Film School in 1952, and sought political asylum in 1958 after denouncing KIM Ilsung. Their lives as Koreans and as filmmakers are captured through images from Moscow to Kazakhstan.
Heart of Snow: afterlifeHeart of Snow: afterlife · 2018
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In April 1920, the Japanese army slaughtered Koreans living in Vladivostok. They also executed Korean revolutionaries such as Kim Afanasi and Alexandra Petrovna Kim before the forced migration of 1937. The scenes of Korean genocide in Ussuriysk and Vladivostok make up the exile trilogy prequel, and archives history on screen.
Blue RequiemBlue Requiem · 1985
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The author writes that at the moment the sun retrieved its last ray of light, the girl "sensed sensuality in the dark and watched death". The Woman at the Toy Store (OH Jeonghee) was transformed into a film, and the sexuality of the girl and woman gained the rhythm of requiem. The thrill of the moment when the positive changes to negative is, therefore, the sensuality of the cinema. Blue Requiem, the queer experimental work dedicated to the girl and the woman, arrived in the Winter Republic in 1986.
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A female laborer in the Winter Republic crosses a river. She sings Kongmudohaga. An experimental montage connects the front and back of history.
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The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang

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