Politiquement correct

It's summer. Pierre goes out with Juliette, for fakes. For Juliette to see Stéphane in secret. Since the police are looking for Stéphane. Every day, while the two young lovers find themselves in a cabin lost in the middle of the forest, Pierre stays outside, alone in the middle of the trees. He is waiting. He is playing the game. Pierre knows how to keep a secret.

This film is about Gils, a young boy (about ten) in a juvenile mental hospital in 1950's France. Flashbacks recount his conflicts with authority and his strong relationship with Jessica, a similarly rebellious schoolmate. Simultaneously, a compassionate doctor develops a trusting friendship with Gils, which a higher-ranking authoritarian doctor tries to thwart.

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

In 1955, Francesco Rinaldi, his wife Vittoria, their daughter Pasqualina and their grandmother Nona left Italy to settle in southwestern France, on the Moreau family's agricultural property, who provided them with modest accommodation in exchange for their contribution to the upkeep of the estate.

Joseph Joanovici, a Romanian Jew married to Eva and father of Theresa, lives in Paris in 1939, on the eve of World War II. He managed to make his place in society by trading scrap.

In WWII France, poor and illiterate Henri Fortin is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.

A theater projectionist's daughter is involved in the Resistance in WWII, but she doesn’t share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.

In the mountains, Eva and Thomas witness an avalanche that ultimately turns out to be harmless. She reproaches him for running away while she stayed behind to protect their children.

A boss decide to bring a Ferrari to a footballer and meet on the trip an ex-employee he fired few months ago. Since the boss get stopped by the police because he drove to fast, they have got no choice except to help each other.

How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.

The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.

Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet by chance while doing a gastroscopy and become friends. After having known their real different conditions, they will change and will understand better their lives. Around them, other people, women and men, will see their lives changed, by chance, by love or solely by the life stream.

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.