The Followers

A story about Emīlija Benjamiņa, the “queen of the press” in interwar Latvia, whose wealth and tragic fate have since become folklore. The film’s narrative covers the period from the beginnings of Emīlija’s magazine Atpūta (Recreation), to her arrest and slow demise in a train en route to Siberia. The most prominent clairvoyant of the time - Eugene Fink’s prophecy that Emīlija would die from starvation in a foreign land (which served to be true) weaves through the narrative as a red thread. With this strong woman at the centre of the story, the film shows Latvian society in all its richness and gives the audience the opportunity to meet many well-known historical figures.

A body of a murdered woman is found. Detectives Frīda and Georgs determine that they're dealing with a serial killer who is after a particular type of women. PA Monta, who fits the type, gets fired from her job and finds herself in the bed of handsome Andrejs. It starts to look like she might be in trouble...

It's Latvia on the 20th of September, 2003 - the day of the referendum about joining the European Union. On the day of the referendum, twelve Latvian film directors of different generations portray twelve different characters across the country. Their life stories and environments affect their decision of voting “for” or “against”.

Inese (41) and Karlis (62) occupy an illegally built hut in the suburbs of Riga in Latvia. After the collapse of socialism, they have found themselves at the bottom of the social ladder, doomed to fighting for mere existence. They live on a single retiring allowance and other people’s leftovers. They are neither alcoholics nor criminals, they are les misérables of today. They are growing scraggy vegetables, picking mushrooms, gathering windfallen branches for fuel, and breeding earthworms for anglers. Everything they put their hands to falls through… After fifteen years of living together, Karlis and Inese are expecting their first baby.

In the ice-free months of the year Father Gennady captains a barge transformed into a floating Orthodox Church on a mission trip along the Volga-Don Canal to the remote Russian villages. At each port of call Father Gennady leads church services, distributes holy sacraments and hears confessions. But some unexpected circumstances cause the mission to suddenly take a rather different turn.

In the early 1980’s two hundred pairs of common terns (Sterna hirundo) were forced to abandon their last natural nesting place on a river island near a major European capital Riga. Looking for a new habitat, the birds chose the flat pebbled roof of a concrete island – a printing house – in the middle of the city. The first generation of birds to grow up on this roof and fly to Southern Africa every winter have covered the distance from the Earth to the Moon. During the film various human attitudes towards the terns will emerge. The attitude of the birds is clear – they view things form above.

In 1946, a group of Latvian Brazilian Baptist missionaries arrived to Rincon del Tigre (“Jaguar’s Corner”), in the backwoods of Bolivia, to preach God’s word to the Ayoreo Indians. After sixty years of selfless work in a largely hostile environment, something seems to have gone terribly wrong. Habituated to living under the protective wings of the mission, the Ayoreos seem neither to be willing to support themselves and start living on their own, nor able to return to their traditional way of life in the jungle. Dressed in second-hand clothes, they are stranded in the backwoods of Western-style civilization, with no particular way to go.

An omnibus film consisting of ten parts, each directed by a different young director from the Latvian Academy of Culture. The unifying element of the ten shorts is the place where they take place - the airport. A lot can happen there - including a strike by a comet, a malicious attempt to break havoc by passengers, or an exploration of the old airport guard's house where not a lot has changed since the collapse of the Soviet Union. The film consists of the following parts: A Mishap (Nediena) by Arta Biseniece, Blurp (Šļurp) by Aija Bley, Alien Sky (Svešās debesis) by Viesturs Kairišs, 5 Versions (5 versijas) by Dzintars Krūmiņš, Comet (Komēta) by Māra Liniņa, Cleptomania (Kleptomānija) by Andis Mizišs, Alfredo's Poetry (Alfredo dzeja) by Igors Varenieks, Little Hand (Mazā roka) by Ilze Vidauska, Comet 2 (Komēta 2) by Anna Viduleja, and Life No. 2 (Dzīve nr.2) by Kristīne Želve.

Late in a winter evening an amateur walker with his pals takes a short cut through a spooky cemetery. Everything would be fine except he stumbles. He wakes up in strange, haunted place, where time and space have lost the boundaries.

After the lives of several people are tied into a intriguing knot upon meeting police officer Krasts one hot summer day, they’re all brought together again on a full moon winter night. Intrigue develops among a couple of lovers, Gints and Elga, three adventure-race participants with one woman, Renate, on their team, three generations of a family whose father, Karlis, died in a tragic hunting accident, Karlis’s daughter Aija, his former lover Livija, and a young girl hardened by life, who lives at a Christian home for expectant mothers. A detective twist is added by a bit of poison, which one of them will get.

A miniseries about the events during one summer in a family of a writer who are unexpectedly granted a remote estate with all its unusual inhabitants, and who has to decide what to do with the dilapidated estate. Exciting and comic events in eight episodes in which the future writer Anšlavs Eglītis together with his brother Vidvuds, father Viktors and his wife Hilda Vīka, begin the restoration of the estate, at the same time opening a boarding house, which becomes the intersection and summer stage of the neighbourhood, ghosts of the past, visitors from the city and Latvian intellectuals in Latvia in the 1920s.