Eu, Mulher Negra

Documentary on ethnic relations in Brazil.

A documentary film about the taboos, stereotypes, and struggles of black actors in Brazilian television "soaps". Based on his own memories and on a sturdy body of research evidence, the director analyses race relations in Brazilian soap operas, calling attention to their likely influence on Brazilian African-Americans' identity-forming processes.

The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.

A piercing four-part docuseries exploring the rise of Brazil’s largest crime organization, Primeiro Comando da Capital – better known as the PCC. The First Command of the Capital (PCC) holds the hegemony of crime in São Paulo, but also an international presence. Narrated by the "brothers", the secret of the PCC's power is revealed in its structure: a masonry of crime, implacable in your ideals.

In a small town in the State of Minas Gerais, Brazil, two sisters meet again after years apart.

Roque and Pudim, composers from the old school of Vai-Vai, share a kitchnete, decades of friendship, love for their samba school and a doubt about the past: what happened to dancer Rita, their passion. The emergence of Ritinha, the dancer's daughter, threatens to collapse this great friendship.

Most often portrayed as an eccentric African pop idol of the ghetto, Fela is rarely presented as the strong political leader he was. Through the eyes his close friend and official biographer, the African-Cuban intellectual Carlos Moore, this documentary is devoted to unravel the complexity of Fela’s life. As the story unfolds, it reveals the glories and tragedies that shaped the lives of the pan-African generation as well as Fela's.

In 1978, young Black people gathered at CECAN in São Paulo and created Cadernos Negros. The publication has featured over 300 authors. In 1980, the group formed the Quilombhoje collective. Since then, the series has alternated between poetry and short stories, expanding the visibility of Black Brazilian literature.

Docudrama on labor mobilizations in the beginning of the 20th century in Brazil, led by union organizations with anarcho-socialist influence. Using fictional resources and historical archives, the film reconstructs an important part of the memory of Brazilian unionism and its biggest strikes, establishing a dialogue between different working generations.

Around 900 thousand people are trafficked a year for international borders only for sexual exploitation. However, despite all the dangers, young Brazilian women to enter the world of sex tourism, believe that they will change their lives and their dream of finding a Charming Prince. A minority find a great love and get married. The film goes from the Brazilian Northeast to Berlin seeking to understand the sexual as well racial imaginary and power of young southern Cinderellas and northern wolves.

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

The existence of racial discrimination did not prevent the affirmation of the black community in the urban space of São Paulo. Members of the black community, in intimate accounts, tell their origins, life trajectory, dreams, anxieties and how they see the situation of blacks, 102 years after the supposed abolition of slavery. Black women and men continue to have to fight for minimum rights and recognition of existence. Black resistance is an example of the struggle of oppressed peoples.

Documentary about Nelson and Winnie Mandela's visit to the city of São Paulo, recording their encounter with the black community and social movements active in the city. The film shows the official reception and the importance of their presence in the process of recognizing the role of Afro-Brazilians in the formation of the country.

Created by Haroldo Costa in 1956, "Brasiliana" was a Brazilian musical with a repertoire of Black music that toured the world, visiting more than 90 countries between the 1950s and 1960s. Bringing Afro-Brazilian music, dance, and culture to international audiences at a time when Brazil was still synonymous with "samba, football, and beautiful women," the show helped present a more authentic image of the country's culture to the world.

"Vista Minha Pele" is an amusing parody of Brazilian reality. It serves as basic material for discussing racism and prejudice in the classroom. In this inverted story, blacks are the ruling class and whites were enslaved. Poor countries are Germany and England, while rich countries are, for example, South Africa and Mozambique. Maria is a poor white girl who studies at a private school thanks to the scholarship that she has due to the fact that her mother is a cleaning lady at this school. Most of her colleagues are hostile to her, because of her color and social status, with the exception of her friend Luana, the daughter of a diplomat who, having lived in poor countries, has a more comprehensive view of reality.