Mama

44 studios in Mangwon-dong, Seoul. An uninvited awakes people in the morning. The omnibus film "roooom" preaches the irresistible power of love and desire. It links the stories of four people in one space. However, the multiplex housing, a Korean housing type different from American hotel rooms, allows of a different type of story. It is a building manager to weave them together. He gets snaked, trying to get rid of a man illegally occupying his girlfriend's room, is visited by a mysterious woman, and witnesses the challenge and frustration of a young man dreaming of a rosy future. There are no common themes in the four episodes without the presence of the manager. "roooom" tells the verisimilar stories about ordinary people, but they have their skeletons in the closet.

Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+

A woman is attacked by Internet users after posting provocative remarks online. Using her personal information, they go to her place but what they find is her body; she took her own life. Who made her kill herself? Or, was she killed by someone else?

An online feud evolves into something more real when two keyboard warriors take their battle offline in a mixed martial arts matchup.

A young woman struggles to pay the hospital bills of her vegetative husband. Despite her hard work, there's no hope for him to ever wake up, until an opportunity arises.

While practicing after hours in her high school, an aspiring singer is mysteriously killed and her body vanishes. Her invisible ghost is trapped in the school, but her best friend is able to hear her voice.

"Short! Short! Short! 2009" is an anthology film commissioned by the Jeonju International Film Festival (JIFF) to celebrate its 10th anniversary. The film consists of 10 short films centered around the theme of "Money," made by 10 up & coming directors in South Korea.

Il-gon is back in Korea after studying in the U.S. to find a bride to return with him, and asks his best friends, Tae-young and Sung-hoon, for help. When Il-gon finds the right woman, the other two friends' passions awaken, and they cannot help but find themselves drawn to her. Roto-scoping technique used.

Normal is relative. A father, taking care of the 19-year-old handicapped son who declares his independence. He can´t take nor turn down his son who wants to live like a normal person for at least one day.

An omnibus movie consisting of three shorts by CHOI Ikhwan, SHIN Yeonsik, and LEE Gwangguk. A delightful dissection of human rights in this day and age through a student who gets punished for wanting to eat deokbokki, a man with delusions of grandeur, an insurance agent who spends a strange day.

Jin-su, a 9-year-old elementary school student whose dream is to become a boxing referee, doesn't know why he wants to be a boxing referee, but at some point he started to feel a sense of duty to become one. However, he is suspicious of his father, who has nothing to do with boxing. "Where did the hot boxing referee's blood flowing in my body come from?" Jin-su turns his gaze to the three uncles who used to be around his mother. Seong-jin, Bi-chan, and Wang-gu. They are all uncles who only look at their mother and exercise at the boxing gym that their grandfather used to run. Jin-su sees from these uncles the qualities that a boxing referee must have and learns the whole story. On the day his mother announced her marriage to the three people, everything happened because of that.

Kyung-eon lives with mom and her sister. Her mom is about to marry a man with a son and invites them to a meeting to introduce each other. After the meeting, Kyung-eon goes to meet her daddy, who hasn’t met for a long time.

I tried to situate my works between fiction and reality, by which I want to bring up the question about the relationship between them. I tried to explore such a representative space 'memory' by juxtaposing the conflicting images and sounds; personal, public, natural, manipulated. (Choi Equan)