Pop féminisme : des militantes aux icônes pop

Claude Lelouch was a Jewish child in occupied France. In this documentary, he talks about the trauma he still feels from that experience, but also how it inspired him to become a filmmaker. The 1940s appear to be a formative period, key to understanding the work and career of this famous director, whose films and life have always been inseparable.

As admired as he was controversial, Sade is a doubly scandalous figure: through his actions and his writings, veritable catalogues of sexual perversions. Imprisoned in the 18th century, vilified, condemned to clandestine publications, "the divine marquis" has become synonymous with a condemned sexual practice: sadism. Sade, however, would be partially rehabilitated, would greatly influence French intellectuals, and would be lauded by the greatest figures: from Baudelaire to Giacometti, from Pasolini to Simone de Beauvoir. Today, some even go so far as to consider Sade a feminist figure. To mark the acquisition of the manuscript of "The 120 Days of Sodom" by the National Library of France, "Le Doc Stupéfiant" offers a unique portrait of a libertine without limits.

France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.

"Do you think I have a cute bottom?" From Brigitte Bardot's cult line in "Le Mépris" (Contempt), to Mireille Darc's iconic lower back, bottoms have long been the subject of every fantasy. And have often been represented in art! A story of eroticism, but also of censure

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.