Not Today

70 year old Alvin Tan has always been an introvert and he hates the heat of Singapore. His wife however loves going out and loved nature. Using the excuse of Covid he keeps her at home for over a year until she passes away in her sleep one night. Now, when he tries to return home from her funeral he seems to have developed acute claustrophobia and can’t go back up to his apartment by the elevator or the stairs. Roaming around the streets of Singapore Alvin bumps into Alice who works as a sugar baby. They begin to chat and Alvin gets introduced to the world of Sugar Daddies and Babies. He becomes famous amongst them as an old man who can’t go home and pays money to just talk and walk. The film traces his conversations with a Singaporean chinese lady, an Indian lady and a transgender Malay woman through a few nights as he grapples with being able to finally go back home.

Two sex workers decide to kick men out of the system and form a cooperative that runs the business for women and by women. How do they do things differently? And how far can they get under and overarching and overbearing patriarchy?

Four women from Delhi, NCR and Gurgaon, tired of dealing with the incessant fear or rape, decide to teach one man how it feels to be afraid of being raped, on a daily basis.

A frustrated actor in Mumbai connects with a retired banker in Frankfurt through an online audition and ends up teaching him acting over video calls. Their sessions unfold across two cities, pushing both to confront buried emotions and truths they have long avoided.

Kaali Ghosh, who has been kept as a sex slave by an industrialist's son, escapes. But she needs to solve the case of her constant blackouts. For this she visits a therapist whose ad she sees in the papers. Vikrant Saraswat is a therapist who is himself seeking therapy for sex addiction and his worst fear is getting back to work and seeing a woman client who he is attracted to. And Kaali meets him. They both need to help each other out, before the shadow sides of their minds completely take over their worlds and push them into doom. Will Kaali be able to step out of her Dissociative Identity disorder and make peace with the identities created within her? Will Vikrant be able to reconnect with the feminine, beyond his addiction and find salvation in doing his work righteously and aptly?

Deeptimoni Hajong, an elderly indigenous woman lives in a remote village in Meghalaya, embracing her unapologetic existence steeped in traditional healing, beliefs, and ancestral lore. As the filmmaker embarks on a quest to uncover Deeptimoni's world, the journey transcends into a longing for deeper connections to timeless memories and mythical legacies passed through generations.