I Was a Swiss Banker

Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.

The world we have just entered resembles a futurist machine. It is a colossus of concrete and glass, with a heart deep inside, a computer heart pulsating with an endless stream of data, while hundreds of beings in its labyrinthine veins are busy or trying to keep the coursing data under control… MUBI

Lili's summer holidays take an unexpected turn when her mother pressures her to ask Dorsday, a family friend, for money to keep her father out of prison. That night she loses not only her dignity but every certainty she once had.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

We accompany a handful of teenagers on their forays into department stores, listen to techno musik, stand on the sidelines as a big kid picks on someone half his size. But the film has nothing of the usual voyeuristic sensationalism à la reality TV; it is rather a patently constructed, analytical montage of reality that opens out into times and spaces, and provides food for thought. Ghetto is divided into six loosely interwoven chapters. Each of the six chapters has its own coloring, its own pace and actors, its own treatment of the raw material. And each has its own distinctive scenery – interspersed shots of the geographical or architectural environment in which the young protagonists live. –First Hand Films

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

Petra Kelly, the 1980s 'green queen' and peace activist, is shot in her sleep by her lover and political ally, former West German army general Gert Bastian. He kills himself shortly afterwards. Was it murder, or did she want that shot? What happens to Petra, from the time Gert's bullet enters her skull to the moment it lodges in her brain and she dies? She experiences a flash-forward to the present time and wakes up in the glassy transit zone of an international airport. On her trip through this modern purgatory, Petra struggles to unravel the meaning of the shot together with Gert and other figures from her life. In the explosive moment between life and death, she recognizes the force of her most absolute desires.

A poetic but also wryly humorous study of the selfish artist trying to play the indifferent God, but ending up revealing himself as all too human.

Teens Linda and Eta are inseparable friends, though they have plenty of disagreements, but one horrific argument has unexpected consequences.

Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.

Fascinated by the already legendary filmmaker, as a teenager Thomas dreamed of becoming his assistant. He wrote to JLG and asked him if he could "look over his shoulder" while he is at work. JLG never answered. Rejected by the master, the teenager must now find his own way as a filmmaker until that day in 2021 when he senses JLG's end is near. Thomas decides to visit the master. On foot. A pilgrimage to pay his (last) respects.His aim is to meet JLG in person. Thomas Imbach dreams of filming not the master, but WITH the master, for which reason d, he has packed his Aaton camera in his backpack. The closer he gets to Lake Geneva, the more intense his emotions, his anxiety, his uncertainty. SAY GOD BYE is the story of an obsession; it is also a story about the universal theme of love. It is the story of a man who finally summons the courage to seek out his beloved, to tell him face to face about his lifelong love and to say, “Thank you, JLG”.

The life and death of the Scottish monarch.

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

A pregnant French woman lives in Sarajevo with her Bosnian husband and their daughter. They vacation at a Croatian island, where things get complicated when they all become attracted to a beautiful woman.

Mara, a successful businesswoman and single mother, is heartbroken after her son Nemanja’s untimely death. She becomes emotionally detached, refusing to communicate with friends and family. However, when she meets Milan, Nemanja’s close friend, she finds solace and comfort in their relationship.

The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.