A Short Film by Peter Kylberg

Handheld camera, unclear focus and sudden pans mark the limits and the uncertainty of the narration from the beginning. By introducing animated memory sequences, Kylberg also seems to bring video art into narrative cinema . With Kylberg's music for piano and cello on the sound track, his universe remains similar to the one he created in his carly fims . His themes have remained constant: the relation betwecn body and identity , and in particular estrangemcnt. His aesthetics bave become more clear-cut. Ifit is an adven ture after all,it is arhythmical and optical one, composed with musical rigour in its exploration of different impressions.

A young man is seeking an identity.

Paris d-moll [Paris D Minor] is an impressionistic city symphony with everyday scenes from Paris, reminiscing of the works of Joris Ivens and Walter Ruttmann.

this film stands as one of Kylberg's most personal works of art, where the image, music, movement and animations form a highly personal expression. The watcher is challenged to take part in an experiment intended to reach into the undiscovered areas of thinking. An attempt to give us something we have never experienced before.

In Du a woman visits a friend of her recently deceased father. They speak about the father’s scientific achievements, gravitational waves and spatial geometry. The film is an attempt, in the context of a play, to reformulate the film expression. To show in musical and abstract picture sequences different forms of order and disorder, the limit of thought and our place in the universe.