Mr. Skvortsov's Lost Train

When the war, going somewhere far away, becomes ordinary, you begin to notice it only when it comes to the house, killing and mutilating the young and the best. The hero of the film, who has returned from the Chechen war as a cripple, rejects his former lover, who fiercely seeks his disposition, and it is not clear what motivates her - a sense of duty to the defenseless or a sincere love that suddenly flared up.

One day in the life of a modern St. Petersburg woman, a woman of post-Balzac age, with whom something is happening. Either a spiritual crisis or a momentary obsession...

The main character of this one - Antonina - a wife, mother, mistress of the house, wakes up after an unusually bright dream and realizes that she has not lived her whole life as she wanted. There were strangers around, people she didn't like, and it wasn't her life at all. She realizes this so clearly that even at the funeral of her own husband, Antonina does not cry, is not killed, and it seems that this death does not concern her at all. And this is despite the fact that my husband lived a long and prosperous life...

A film director Nikolai Khudokormov is on the brink of his 50th anniversary. He has the whole life rich in events under his belt: creative quests, several marriages and children. Now he has to live with an old insane Mother and seems to be indifferent to what is going on around. But at the same time he is obsessed by the idea to make a film which will be his best one. Nikolai makes every effort to raise the money for this project. And all the time he is followed by a mysterious stranger. She is a beautiful young creature who speaks to him about the vanity of the world and the meaningless of a human life. Finally, Nikolai realizes that he is speaking to the Death herself.

A school teacher wasn't expecting to find a dead man corpse in her apartment during a party.

Alexander Birgukov shot and killed his two commanding officers. He was sentenced to death but when it was alleged that one of his victims had sexually harassed him, his sentence was commuted to life in prison. Tenderly revealing two lives lived in limbo, this film bears witness to the first and final visit of his mother, Lubyov.

Nikolai Petrovich comes to St. Petersburg to organize a revolution against the oligarchy.

A detective-dramatic chronicle of love adventures of the famous Russian ballerina Olga Spesivtseva, nicknamed by contemporaries Red Giselle. It was Giselle who immortalized her name in 1924. It was "Giselle" that caused the psychic catastrophe in 1942.

This film is about Oleg Karavaichuk, eccentric musical genius and famous St. Petersburg composer, who takes his final stroll through Komarovo, a bay-side summer community just outside St. Petersburg where he spent his whole life and wrote most of his works. His final piece, “The Komarovo Waltz”, unveiled here for the very first time, was written as a tribute to the place. The film is the reclusive composer’s eulogy to the community. It also serves as Karavoichuk’s farewell to audience as well as his last address and reminder of things that are truly important – love for your fellow man and virgin nature.

The film is based on a video made by Sergey Lando on the Petersburg Recording Studio at the end of March 2009, before the 200th anniversary of Nikolai Gogol. Next day, Oleg Karavaichuk took the footage and assembled film. It was first shown on April 1, 2009 in Gogol's birthday at a concert "Diary of a Madman" in Culture House "Lensovet" in St. Petersburg. This film is not about Gogol, but is dedicated to him: in the intervals of playing the piano, the composer talks about the true roots of the writer's work, about the common fate of the greatest people of art, about the synthesis of music and literature, about eternity and paradoxes.

An eccentric comedy. Love and money have always inspired people to feats, long wanderings and even crimes. It has always been almost impossible to stop such madmen. And what will happen this time — no one knows yet. Only one thing is known — it will happen in Lopukhi, in an ordinary Russian village with ordinary Russian citizens.

A performance by the Alexandrinsky Theatre based on the eponymous play by Nikolai Vasilyevich Gogol. The production is based on the stage version by Vsevolod Meyerhold and M. Korenyev (GOSTIM, 1926), directed by Valery Fokin.

An inside look at life in the Alay Valley, a dry and picturesque expanse in southern Kyrgyzstan.

The film is dedicated to a unique artistic phenomenon—the work of musician Oleg Karavaichuk, who with great strength embodied the understanding of “The Spirit of St. Petersburg” in our time. About this film composer who wrote music for more than 100 movies, and the creator of virtuosic piano, improvisations, Dmitry Shostakovich said, “Karavaichuk is not a talent; he is a genius.” This is how he was discussed, as the last musical genius, in June 2016, when Oleg Karavaichuk passed away. The next year, 2017, he would have turned 90 years old.

At the turn of 80-90, film director Alexei Yurievich German created a film workshop for the first film, which became famous for the paintings of young debutant directors, who later became famous masters. The film tells about how the Master selected talented directors, helped them take the first step and find themselves in the cinema. The TV version of the film.