Moving Day

The following guests take part in the music concert-documentary: Rosa Rymbaeva, Dmitry Pokrovsky folklore Ensemble, Elena Kamburova, Alla Pugacheva, Bulat Okudzhava and the Nergebi children's vocal ensemble from Georgia.

Alisa Freyndlikh in a rush — there isn't a single calm, free minute. Rehearsals, discussions of roles with Igor Vladimirov, her daughter Varya's birthday, daytime and evening performances, meetings with the audience...

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.

The whole world knows the immortal feat of the residents of besieged Leningrad, accomplished during the Great Patriotic War. The tragic story of the blockade, which lasted for nine hundred days and ended with the defeat of the fascists at the gates of the unconquered city, will forever remain in the history of humanity as the most vivid example of courage and patriotism.

“You have to love people, really. If you don’t, you’ll get them trapped in the tram doors,” says the central figure Lyudmila. She takes the viewer on three of her shifts as a tram driver; she speaks frankly and tenderly about her profession and introduces her passengers. People, streets, light and mood change, and with them an image of Leningrad takes shape.