Mary Magdalene: Art's Scarlet Woman

Art critic and broadcaster Waldemar Januszczak wrote and directed this examination of a man who was not only a great painter but sculptor, wood carver, musician, print maker, journalist and ceramicist. As well as telling the remarkable story of Gauguin's life, Januszczak also celebrates Gauguin's achievements and examines the various accusations of sexual misconduct, familial neglect and racism that are frequently made against him.

Art critic Waldemar Januszczak delves into the heart of Mannerism, as he explores the development of the art style, examines its characteristics, and questions what it achieved.

Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists.

Has one of Britain's greatest artists been unfairly forgotten? Waldemar Januszczak thinks so. In this documentary, Januszczak argues that the little known 17th-century portrait painter William Dobson was the first English painter of genius. Dobson's life and times are embedded in one of the most turbulent and significant epochs of British history - the English Civil War.

Christianity slowly emerged from being a persecuted minority to the state religion of the Roman Empire. This episode is a history of the ways believers grappled with a way to depict Jesus. Simple symbolic meaning developed into splendid art and churches.

In this three-part documentary series Waldemar Januszczak discovers paintings, sculptures and architecture of the Baroque period. Starting from the square of Saint Peter's Basilica in Italy to St Paul's Cathedral in England.

Art historian Waldemar Januszczak uncovers the secret meanings hidden within some of the greatest paintings by Van Gogh, Gauguin, Cezanne and Seurat .

A survey of Hans Holbein's career from his beginnings as a religious painter to his work for Henry VIII and beyond. The program also includes a close analysis of "The Ambassadors".

Join Waldemar Januszczak as he delves into the mysteries of a renowned old tale, as artists throughout the ages developed incredible ideas to fill in the gaps.

A history of American art with Waldemar Januszczak

Four-part series in which Waldemar Januszczak challenges the traditional view of art's most important epoch - the Renaissance.

Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels. As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them.

Art critic Waldemar Januzczak explores Beijing's controversial and challenging modern art scene.

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

Tasked with the installation of two highly ambitious shows during the Venice Biennale of 2022, the 70-year-old Anish Kapoor is documented by art critic Waldemar Januszczak.

A curious title given that for 50 minutes, Januszczak snarls his way through a canine critique and it’s not clear which he despises more, dogs or their owners. He visits a dog show which he regards as incorrigibly eccentric and he considers breeding practices to be the canine equivalent of eugenics practised by the Nazis. “We breed them until their heads look like misshapen Halloween pumpkins (often to the detriment of their health), we cut their bollocks off, we send them to a doggy psychiatrist and still most of them won’t do what we want them to do. The message appears to be that we love dogs, but not for themselves, it’s for the prestige they can bestow upon their owners.