Sanjay

An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

Sam, a football player, gets admission in a prestigious international school under sports quota. His life changes for the better when he falls in love with a girl from the same school.

It is an unwelcome homecoming for Siva, a Singaporean-Indian ex-convict, haunted by a tragedy in his past. Released after eight years behind bars and dejected by his mother’s coldness, he leaves home in search of his ex-wife and daughter. His old friend denies any knowledge of their whereabouts and instead leads him back into crime. Finding him sheltering in ‘void decks’ (the open public access corridors found beneath government-built residential housing in Singapore), the police force him to meet with a social worker; a woman also dealing with her own fears.

Seven young directors from Singapore produce a cinematic cadavre exquis.

The dance of life is one we dance alone but with many silent and invisible partners. Meena celebrates the lives she lived and the people she loves in a film about the rejuvenating power of time.

A trilogy set in three iconic locations within Singapore's Little India district: Race Course Road, Campbell Lane and Syed Alwi Road. The notion of re-examining history by truth and myth through visual storytelling serves as the inter-connecting thread between the three short films, and the films offer glimpses of Little India through the 19th and 20th centuries.

Inspired by the first English-language novel "Inheritance" of acclaimed Singaporean novelist Balli Kaur Jaswal about Singapore's Punjabi-Sikh diaspora, the film surrounds the story of a Punjabi family and the characters' struggles against traditions and belonging. The project involves the local Punjabi community, who has often been left out of the larger Singaporean narrative even when they are such an important part of our cultural landscape.

Timeless is a visceral experience which disrobes the human condition over three epochs drawing upon searing images inspired by Francis Bacon’s triptych series. It is an examination of the questions “Time changes but do people change?” If people do change, why does HIStory repeat itself?

In 1965, an Indian family, whose men have been loyal servants of the British Royal Air Force, are faced with a life-changing offer of British citizenship as a reward for their years of service. The anglophone father is determined to follow his colonial masters back to England, while his newly-wed son yearns to build a new life in Singapore with his pregnant wife. Their conflict studies the notion of state and identity in a time of post-independence uncertainty.

This is a love story adapted from JM Sali’s tale of an Indian man who meets and falls in love with a Chinese woman in Singapore by chance, but she discovers that he is actually married back home in India. Told from the perspective of the writer—who is played by more than one actor, and who also plays the character—the film blurs the lines between roles, reality, time and space. The words and text of the writer also interplay with the sound of silence and the actions of the actors and characters.

Technology is both freeing and perilous, overflowing with digital content that fuels hidden desires and dangerous behavior. As cybercrime escalates, law enforcement races to stay ahead, navigating a landscape where every click can lead to exploitation—or expose the truth.