The Men Who My Father Loved

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Pink film directed by Kazuyoshi Sekine.

At the public bath that Kazuko inherited from her predecessor, customers of all ages come to see Kazuko's huge breasts. Everyone dreams of being sandwiched between her breasts one day. But then a sports gym with a spa opens nearby, and the number of customers starts to decline.

After serving his sentence, Tachibana goes to the apartment where his ex-girlfriend used to live. There are yellow panties hanging out to dry on the balcony. Overwhelmed by the fact that she had been waiting for him, Tachibana buries his face in Sister Emi's (Orihara Yukari) chest as she opens the front door, and as he pushes her down forcefully, she screams. From the back, Reiko (Kayama Natsuko) and Kaori (Iori Ryoko) appear dressed in nun's robes, causing a commotion... The two girls make a living by using one room in the apartment as a "church," volunteering to contribute to the community during the day and running a nun's bar at night. Tachibana is dejected that there is no woman waiting for him and tries to leave, but the three girls stop him...

A female assassin has a special gift. While receiving a secret mission, that will require her special skill, she embarks on a very dangerous mission that forces her to encounter many dangerous enemies.

Late at night at the office. Shizuka Tani swallows a snail from a tank and is rushed to the emergency room. She was unharmed, but the whole company was talking about her. One day, Shizuka starts to masturbate in her room while listening to her sister and her boyfriend having sex, and an insect worm, which claims to be a servant of Enma the Great, appears from her anus…

Momoko is nervous but enthusiastic about joining the movie company she has longed for. However, she was late from the first day and was struck by Reiko, a female employee who is famous for her talent. On the other hand, the president liked Momoko and took care of it. But it was an adult filmmaking company! Although she was worried about the gap with the company she had envisioned, she was excited to have her seniors teach her work, and she was further exposed to the passion of the people involved and grew up every day.

Izumi Yasuura, who came to a port town, started working at a snack run by Mako. Izumi's mild personality and cute appearance make him a popular figure among florist Shoichi and regular customers. One evening, Izumi meets Mikio, who plays a folk guitar alone at the foot of the bridge. Eventually they fell in love and started living together. However, a few years later, Mikio transformed into a thug and became a string of springs ...

Kohei Hayasaka's lover, Kohei, died in a disaster several years ago. Hikari leaves Kohei's room as it was, prepares food on the anniversary of his death, carefully cleans his body in the bath, has flirting sex with the phantom Kohei in a naked apron like a newlywed ... and wakes up from that dream. He returned to the everyday world and was silently doing his job at the fishery cooperative.

Takuya, a virgin, is shocked when his girlfriend Kyoko calls his penis "cute" and he stops having sex for the first time. One day, Takuya is invited by his university senior, Nishikawa, to go on a road trip.

Aoi (Miri Mizuki), a new wife, married Kitajima, the brother of Sayaka (Mai Tamaki), a former colleague at work, and the president of a venture company. Aoi, who was a mediocre office lady, was excited to have sex with her energetic husband who asked for it every night, but she secretly hated sex because of the trauma she received during her adolescence. One day, Aoi had a problem with his neighbor Yoshie (Rin Ogawa) about how to put out the trash, but on the contrary, he was invited to a meal. And Aoi, who suddenly got drunk while enjoying Yoshie's cooking, fell asleep...

The industrial group's boss, Fujita, has used bad means for the prosperity of his company. In recent years, he tried to take over a rival company, but failed, and he was noticed by the prosecution. He was driving to a villa in the mountains to destroy evidence, and on the way he encountered a fallen woman, Tomoko, and took him with him. After learning that Tomoko, who had regained consciousness, tried to commit suicide, Fujita sympathized a little and offered a guidepost to live as a concubine if she wanted to die anyway. Push Tomoko who resists to the bed and fulfill her desire. The next day, the company contacts me and finds out that I'm going to get rid of it. Fujita, who is impatient, tries to return immediately, but when Tomoko, who has become obedient overnight, sees her carrying coffee in a naked apron, she forgets to go home and plays with her and tastes it again.

Three eccentric brothers in the Murano family struggle with tradition, desire, and identity. When the youngest brings home his male partner and proposes marriage, family bonds are tested in unexpected ways.

Office worker Misako lives with her boyfriend Ken. As they near their goal of raising money for their wedding, the couple find themselves in a slump. One day, Misako receives news of a class reunion. She had a crush on her high school teacher, Shima Masayuki, and when she meets him again at the after-party, they begin a relationship.

The second in the gay movie "My Brother and I" series. Kotaro, a high school student, has a stepbrother after his sister gets married. However, he turns out to be Ryoichi, his homeroom physical education teacher, whom Kotaro has a crush on. Kotaro learns from Ryoichi's friend Kasama that the two were sex friends in college.

At the quiet Sirius Theater in the countryside, struggling filmmaker Fukuyama works amid mounting debts while nurturing his passion for film. The theater’s owner, Inuzuka—fearing impending blindness—sees Fukuyama as his potential successor. Meanwhile, unspoken affections complicate matters when long-time admirer Tamaki and the mysterious film star Hitomi (later revealed as Ayame Nakanishi) enter the picture, intertwining their fates in unexpected ways.