Articolo 23 (Pentedattilo)

In a school on the extreme outskirts of Rome, a young teacher, instead of neglecting his half-empty classroom, decides to tackle the problem looking for the children who do not attend classes.

In a school on the extreme outskirts of Rome, a young teacher, instead of neglecting his half-empty classroom, decides to tackle the problem looking for the children who do not attend classes.

A Sardinian peasant is implicated in the murder of a policeman and, although innocent, he doesn’t give himself up, lacking faith in the judicial system and fearing that he may lose his sheep while awaiting trial.

Vittorio De Seta's documentary about the Calabria, revisiting the territory he documented in I Dimenticati in 1959.

Robert and his fiancée Lucienne were due to go on vacation together to a tented village in Sicily. Robert is forced to postpone his trip and only joins Lucienne a few days later, taking advantage of the departure of a following group. During the train journey, he befriends Thérèse, a young Sicilian living in Paris, who wants to make a pilgrimage to the land of her ancestors. Lucienne is away from the camp when Robert arrives, so he can continue to see Thérèse, and little by little they discover that they love each other. When Lucienne returns, an explanation and reconciliation take place, then Robert changes his mind and, with the vacations over, leaves Lucienne alone to live in Sicily with Thérèse, who wants to stay in her family's homeland.

The first light of dawn. The sound of a boat and the screech of birds fill the wide expanse of sea. Black rocks emerge from the water, the “sciara” – the volcanic scoria – of Stromboli, the underwater sulfurous emanations, the layers of reddish rock eroded by the sea. The roar of the volcano can be heard, the flames and the liquid lava are thrown skyward. As nature unleashes itself, the fishermen row toward the shore, the sheep stray and the women return home.

Against the background of flocks of sheep at pasture, mules walking down unpaved roads, tractors in the fields, and isolated figures in a deserted village, a caption explains that Barbagia is a vast region in Sardinia; Orgosolo, Oliena and Mamoiada are villages of shepherds and the men spend most of the year far away, with their flocks. This is why the houses and the children are entrusted to the women, who cut the wood, work the fields and prepare bread, shepherds’ bread.

Vittorio De Seta travels to Alessandria del Carretto, a small town in the province of Cosenza, to capture a unique celebration known as the “Feast of Silver.”

A short anthropological documentary from 1954. Director De Seta was fortunate enough to document swordfish fishing; by 1956 it no longer existed.

A young writer descends into madness. Alienated, neurotic, and plagued by guilt, Michele retreats from reality, loses interest in work, and comes to the brink of suicide before being sent to an asylum for shock therapy. Escaping from the asylum, Michele returns to his boyhood home, where he learns the reasons for his present mental state.

The story of a young Senegalese man who treks the Sahara, takes an immigrant boat bound for Italy, the attempts to eke out a living there - finally deciding to return to his native place. Vittorio De Seta's first fiction feature since 1969.

The unpredictable nature of the sea governs the world of Sicilian fishermen as they work, rest, and seek refuge from a storm.

The striking landscapes of rural Sardinia provide the backdrop to this lyrical look at the hardscrabble lives of the region’s shepherds in winter.

Filming amid the flaxen wheat fields of Sicily, Vittorio De Seta documents the everyday rituals of farmers during harvest time.

When her husband returns from his work abroad with a guest, a young girl, his wife suspects a liaison. She leaves her home. Her boss takes her to the Côte d'Azur. They get closer during the long voyage and the man invites her to his marital home.

Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.