The More I See You

This film begins with black women dancing and black men expressing their praise: They are praising Austria. For over ten years, the 'alpine republic' has been cooperating with the ten parched Cape Verde Islands in the Atlantic Ocean near the west coast of Africa. In total, seven completely different projects are presented and evaluated critically. In passing, the viewer also learns something about the country and its people: Young people curse the beautiful archipelago, calling it a hole, a prison, hell... They are unable to find work. The individual character of the Austrian projects enable the cinematic discussion of some basic concepts of development politics. This film takes a look, both affectionate and critical, at a distant and exotic country which comes closer to us the longer The Meeting of the Islands lasts.

The story of Jewish counterfeiter Salomon Sorowitsch, who was coerced into assisting the Nazi operation of the Sachsenhausen concentration camp during World War II.

Beckermann's parents met in Vienna after the Holocaust. Tracing the migratory paths of her family before World War II, Beckerman returns to the European Jewish communities which inspired her childhood stories.

Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Juliet, a white girl, falls in love with a dark-skinned romeo, a divine trumpet player from the Roma orchestra. But her father Satchmo doesn't accept Romeo. Romeo needs to fight for Juliet at the legendary Festival of the trumpeters in Gucha.

White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.

Franz West (1909-85) remembers his youth in Vienna: the variety of the Jewish population of the so called Matzah-Island, his commitment to the worker’s movement of the Red Vienna and the rise of Austro-fascism and National Socialism. West’s masterly narration combined with impressing archive footage illustrate and elucidate the complex Austrian history between WW1 and WW2.

1960's Siegheilkirchen, a small town in the Austrian hinterland is steeped in reactionary and ultra-Catholic attitudes. The son of a hard-working innkeeper and his wife, called Snotty Boy by all and sundry, is at odds with the narrow-minded confines of his home town. But his unstoppable talent for drawing gives him an outlet for his discontent.

Images of Egypt: prolonged tracking shots through the streets of Cairo, cafes, bazars, hotels and gardens, footage of the desert and the sea. Ruth Beckermann is on the trail of Empress Elisabeth of Austria ("Sissi"), who travelled the world restlessly and was in Egypt incognito one hundred years earlier. Since Elisabeth refused to be photographed after the age of 31, she inspires projections and fantasies.

In this documentary road movie, Austrian filmmaker Ruth Beckermann records the diverse views and activities of Israelis and Arabs as she travels along the route from Tel Aviv to Jerusalem.

A movie theater in the suburbs of Vienna. At the end of the show, a corpse is suddenly sitting in the auditorium. The mysterious tie murderer has struck again. Together with her friend Schorsch - the head waiter of the "Nachtigall" - the cinema owner Hermine wants to get rid of the "business-damaging" corpse inconspicuously. Mutual suspicions begin among the patrons of the restaurant.

Based on material that emerged during the occupation of the arena in the summer of 1976, the film shows the organization of collective work, the negotiations with the city and community and finally the demolition of the buildings.

Ozren is raised in Vienna by his mother Silvija, who works as a prostitute, and his aunt and uncle. The film shows the demimonde of Vienna in the early 1990ies and deals with Ozren's finding out that his mother is not a waitress (as he was initially told) and with the way he copes with it.

When Ella, the rich daughter of a corrupt banker, escapes from her arranged wedding and hides in the trunk of a Bentley,she meets Richie, a small town crook who has just stolen the Bentley. Together they stage her disappearance as a kidnappingin order to get as much money as possible from her parents.