Nirakudam

Balraj (Dharmendra), affectionately called Raj, by his elder brother (Nana Palsikar) and sister Vija (Madhumati), is a student in college in the arts semester. As the family is not very rich, Raj decides to move from the hostel to the residence of a family. He finds one such family in Gandhinagar, which consists of Choudhury Hukumat Rai (Ashok Kumar), a lawyer by profession, his wife (Nimmi), and only daughter Shanti (Mala Sinha). Hukumat takes an instant liking to Raj, and tells him that his wife will only allow him to take up residence if he tells her that he is already married. Raj reluctantly does so, and thus acquires residence with the Rai family. Eventually Mrs. Rai takes a liking to Raj, so does Shanti. Shanti finds out Raj and her dad had lied to the family about Raj's marital status, she confronts Raj, and he readily admits that he lied.

When a mix-up at birth leaves a wealthy zamindar raising a child that's not his, the secret shatters families, friendships, and futures. As love blossoms and pride blinds, one daughter’s ultimate sacrifice may be the only path to redemption.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

Ramalingam is an honest, principled man, working as a clerk in a company. He values integrity and discipline as the doctrines of daily life. But his honesty is put to test when his son-in-law Raghu comes to him with a big problem. Raghu has misplaced some money in the bank in which he works, and he requests Ramalingam to give him money so that he could make good the loss.

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

Bandha Pasam is a 1962 Indian Tamil language film directed by A. Bhimsingh and produced by Periyanna. The film stars Sivaji Ganesan, Gemini Ganesan, Savitri and Devika in lead roles. The film had musical score by Viswanathan–Ramamoorthy. This movie was dubbed in Telugu as Aadharsha Saadharalu.

When Kamal Kumar meets the young, beautiful Gayatri on a train he instantly falls in love, and despite the fact that he is the son of a wealthy landowner, Rattan Kumar, and she the daughter of a farmer, Narayan, he convinces her to marry him. But when Kamal has to go to Singapore for business, his father finds out about the wedding and makes Gayatri swear she will never reveal her relationship with Kamal to anyone. When Gayatri discovers she is pregnant with Kamal's child, she and her father are forced to leave the village.

Gopal dearly loves his brother Raju, despite the latter's unkind acts and frauds. But fate seems to have something else in store for Gopal as he is soon accused of killing Raju

A landlord's son and a farmer's daughter fall in love and marry secretly in a temple. Since their love is not accepted by the families, they are forced to separate while their child grows up in an orphanage.

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.

Pazhani is a 1965 Indian Tamil-language drama film directed and Screenplay by A. Bhimsingh and produced by A. P. Chinnappan. The film dialogue were written by M. S. Solaimani and story written by G. V. Iyer respectively. . The film features Sivaji Ganesan played titular role with other prominent actors S. S. Rajendran, R. Muthuraman, T. S. Balaiah and M. R. Radha in lead with Devika, Nagesh, Pushpalatha and C. Lakshmi Rajyam played pivotal role. The film had musical score by Viswanathan–Ramamoorthy and was released on 14 January 1965.

Raja Saheb (Ashok Kumar) is a rich man, strict father to sons Virendra (Sunil Dutt) and Mahendra. One day, Mahendra has a big fight with his father and dies of shock afterwards. Virendra leaves home and falls in bad company with Pran. Later, Virendra falls in love with a poor girl (Nutan), eventually deciding to marry her. At home, a lonely Raja Saheb falls ill. When Virendra tells his father about his love, his father reveals his own past: He was in love with a poor girl, who died leaving a daughter (Padmini) behind, who dances on the roads to earn a living. Virendra decides to bring his sister home.

Unorthodox, honest, simple-minded, and unemployed Gopi is blamed for a theft he did not commit, and gets thrown out of his home by his elder step-brother.

Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.

Two siblings, Rajasekharan and Radha, become orphans when they lose their mother at a young age. Things take a turn when Rajasekharan's friend Anand falls in love with Radha.