Fernando Torres: The Last Symbol

When a girl disappears in Málaga, a young journalist becomes fiercely determined to uncover the truth, risking everything to bring closure to the family.

The Spanish Deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters – both detectives in the homicide division – to investigate the cases.

A small village in Huelva, Andalusia, Spain, 1936. Higinio and Rosa have been married only for a few months when the Civil War breaks out. Higinio, being afraid of possible reprisals from the rebel faction, decides to use a hole dug in his own house as a temporary hideout.

Madrid, 1961. Ana Mari is single, lame, Francoist and instructor of the Sección Femenina. By order of the dictator Franco, she must go to work as a maid to Ava Gardner's house and spy on her, pretending to be married to Manolo, a hustler who will become the driver of the American actress.

Hoping to learn more about her heart donor, a young doctor arrives in a mountain town where decades of mysterious tragedies plague the small community.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

Ana, a nursing assistant, begins to feel attracted to Agustín, the husband of the woman in a vegetative state that she has been hired to take care of. Soon she begins to be harassed by strange paranormal phenomena that seem to try to throw her out of the house and separate her from Agustín.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Abraham and his female friend Álex have a close relationship; they share both secrets and fears. When Abraham starts going out with Anchi, he begins to distance himself from Álex, who gradually dives into a living hell where she encounters strange apparitions, nightmarish visions and extreme situations.

Boy meets girl, boy falls in love with girl, girl suffers an obsessive compulsive disorder, boy and girl live happily ever after.

Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.

Ana is an elderly woman who has recently been widowed. Like many people of her age and education, she will have to find a reason to give meaning to her life. When her son Antonio asks her to look after his grandson Ezequiel, Ana sees that the boy has suffered the mistakes of an authoritarian upbringing and decides to help him fulfill his dream of becoming a choreographer. With her grandson, Ana embarks on a dreamlike journey that leads her to discover other women in her neighborhood who, like her, are trying to live a new life.