No Straight Lines: The Rise of Queer Comics

A charismatic 22-year-old with multiple disabilities leaves his mother's home to share an apartment with the close-knit group of artists and musicians who are his caregivers.

When Bill Babbitt realizes his brother Manny has committed a crime he agonizes over his decision to call the police.

Beginning with a history of two thousand years of Jewish life in Morocco, the movie incorporates extensive archival footage, as well as interviews with: artists, scholars, journalists, merchants, workers, and artisans in Morocco, Israel, France, and Canada.

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

Harry Hay was one of the founding fathers of the gay rights movement, and for more than 50 years was synonymous with the term "gay pride." Director Eric Slade's documentary about Hay looks at both his life and the movement he did so much to define. In 1948, Hay founded the Mattachine Society in Los Angeles; the goal of the organization was to establish a "Golden Brotherhood," one that sought to redefine homosexuality as a normal, healthy way of life. The problem, Hay famously maintained, was not homosexuality itself, but the way it was treated by society. Dramatizations, photographs, archival footage, and interviews with original Mattachine Society members are all incorporated to tell Hay's remarkable story, one whose legacy continues to be felt in the treatment of gays and lesbians in culture today.