Ivy

Blanca, an 18-year-old foster home resident, is the key witness in a scandal involving kids, politicians and rich men taking part in sex parties. Yet, the more questions are asked, the less clear it becomes what Blanca’s role in the scandal exactly is.

Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.

Stefan Kramer, struggles with a deep family feud and the anger of well-known politicians and national celebrities. The comedian then faces his own ghosts and has to resort to friendship and humor to recover his love and his family.

Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is hardly any different than it is for other families. But not everyone sees it that way – Sara's father in particular has his doubts. As Sara’s 13th birthday approaches, she feels rather overwhelmed: her first crush, a body in the midst of changes and to top it off, conflicts over loyalty with her parents.

Inspired by a true story After a serious mistake in an illegal operation, four detectives have 48 hours to try to clean their tracks and get rid of an investigation that accuses them of drug trafficking, torture and corruption.

Niña Hermosa is the story of a place—the edge of a road— that links a family tragedy, religious culture, infrastructural change, and erasure. This film, almost entirely visual, observes the past four years of an animita (shrines memorializing devastating deaths) dedicated to a young woman who is now considered miraculous.⁠

The filmmaker, a Chilean of Jewish and Palestinian descent, discovers Super 8 reels belonging to his father’s family. Between Chile, Israel and Palestine, he reconstructs two trajectories shaped by displacement and exile. A lesson in history in which clarity emerges from political complexity.

Baisanos follows the fans of the Club Deportivo Palestino, weaving a dialogue between Chile and Palestine. Through reflections on identity and return, two distant lands connect in a space of celebration, where hope for victory is the promise of a possible future.

When seven-year-old Carolina wades through her novel family’s frenzied reunion in hopes of gifting her new stepfather a birthday card, she learns that to the party's adults, she is little more than decoration.