Johnny

The Male Gaze: The Boy Is Mine

We wish to make him ours, to keep and to hold forever - but will the boy reciprocate? And is he everything we expected him to be? In these five tales from the UK, France, Sweden, Mexico and the USA, a variety of characters throw caution to the wind and take their chances on a fleeting moment. The short films are: Uneven [Impar] (2016); Wolves (2016); Johnny (2018); Debut (2016); Guardian (2018).

Marrant la vie, Marrant !

My Own Private Idaho

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

7 Virgins

It is summertime in a blue-collar, marginal district of a city in the South of Spain. Tano, a teenager currently serving a sentence in a juvenile reform center, is given a 48-hour leave to attend his brother’s wedding.

Bend It Like Beckham

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

Desert Hearts

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

Antoine and Colette

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).