Dong Biwu: A Veteran Revolutionary

A young prostitute, who is trying to give her infant son a good start in life, must contend with a coercive pimp and the prejudices of others.

At the tail end of the Cultural Revolution, Qiu Shi, a poet who has been in prison for six years, is transferred elsewhere by boat under the guard of two officers. During transit, he meets a series of passengers, who have also faced hardships in recent times.

Returning home from a long voyage overseas, a man finds his wife and child living with another man. Fuelled by anger, he murders the other man and is forced to flee justice, until he faces death on a deserted island.

Silent film, with musical accompaniment. Originally released as a silent motion picture in 1935. Directed by Wu Yonggang,

Based on the life of Yue Fei, a Chinese military general who lived during the Southern Song dynasty and considered a national hero of China.

The story about an old man and a peony fairy.

In 1947, the Northeastern People's Liberation Army won a major victory in fierce fighting. In need of work, Molong Wang and his wife Juan Zhang were sent to work in Taohuachuan, a remote and difficult new area. As soon as he arrived in the district, Molong Wang and district official Chenzhong Liang went to the village and saw the fields dry up. The dam needed to be urgently repaired. The daughter of the village kulak Xumei Sun and the Kuomintang agent Jiantou Li conspired to provoke a series of problems to undermine the unity of the two villages in order to crack down on the new head of the district, Molong Wang...

The story of the legendary folk female singer of Zhuang minority in Guangxi Autonomous Region.

Live action adaptation of Snow White fairy tale.

This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.