The Sword

A young woman searches for information about her father who starred in the classic movie 'Days of Tomorrow', which she is helping to remake. She finds out about his restless youth, career in the 1970s Hong Kong film industry, and tragic love affair.

Four episodes combined. Dawn: the first cop goes to interrogate the parents of a babygirl who got burnt by an iron. These, eventually admit to be the one responsible but they state it was an accident. Going back on a bus, he reads a newspaper article reporting another case of violence against minors. Noon: the moustached cop cop collects the report of a mother regarding the presence of perverts in her building. A thirteen-year-old girl is spotted with a man in equivocal acts: when she is interrogated she shows no signs of anxiety. Dusk: in a nursing home a guest kills another old man with an axe. He is interrogated by the older cop who, once back home, talks with his wife and daughter while watching sadly TV. Night: the fourth cop is in a disco when he gets the call that a collegue’s wife was the victim of a hit and run. The following morning he goes back to the office.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and truth after discovering the woman who raised him isn't his mother.

The fallout resulting from a botched Triad gang smuggling job forces a young couple to separate - she becomes a kingpin’s unwilling moll and he travels to the Philippines to work as a contract killer. Six years later, the two are reunited in a chance encounter, but their rekindled emotions and people from their past lead them into extreme danger.

After losing an election to become chairman of the Wo Lin Shing triad, a gang leader lashes out and tries to seize the dragon-head baton, the official symbol of a chairman's authority.

Ouyang Feng is a heartbroken and cynical man who spends his days in the desert, connecting expert swordsmen with those seeking revenge and willing to pay for it. Throughout five seasons in exile, Ouyang spins tales of his clients' unrequited loves and unusual acts of bravery.

"Breaking the constraints of traditional television storytelling, Tam and Chan give a surprisingly in-depth exploration into the modern female psyche, exposing their fears and their desires. In their later attempts in CID: Two Teddy Girls, the pair uses a seemingly typical cat-and-mouse chase story between a cop (Mark Cheung Lui) and two criminal "teddy girls" (Ban Ban and Marysia Lam) to portray the lives of Hong Kong's different social classes.

A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.

Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.

Shy and timid Hung is asked by his jailbird brother to look after his mistress and his unsuspecting wife. Chaos and many hilarious situations arise when Hung is caught between the two women.

The beautiful Cherie Chung plays the title character, an exercise teacher who is wooed by a rich, older businessman and a young photographer. You watch Cherie as she bounces between these two, not really liking the businessman, while the photographer is more in love with her image as his model than as a true love.

Set in San Francisco, Love Massacre follows college student Ivy as she tries to help her friend Joy recover from a breakup. Ivy soon becomes involved with Joy's married brother Chu Chung, who spirals into senseless violence as he breaks into Ivy's dormitory and goes on a delirious killing spree.

After his mother flees the family home, a son turns to thieving in order to support his father, an abusive sort who is addicted to gambling.

By a strange twist of fate, dutiful Hong Kong policeman Dan saves the life of the leader of a violent gang of armed robbers. When they commit another crime, Dan is determined to put an end to their activities. He works with the leader, whom the gang had betrayed, to engineer a plan to wreak havoc within the gang and let the gangsters kill one another. But it becomes increasingly obvious to Dan and to his colleagues that Dan is suffering from a severe mental disorder, and Dan finds that instead of upholding the law as a righteous police officer, he has now become a fugitive wanted for murder.

Joyce and Lily have a different class background but stealing unites their friendship. Joyce is the poor one who cannot afford a smart phone whereas Lily is the posh one who turns into a kleptomaniac due to a detached relationship with her family. When Lily spots Joyce stealing a phone from their classmates, Lily helps her out. They even join hands to be partners in crime. Lily teaches Joyce the art of stealing while Joyce appreciates her company. However, too many successes make them go further and further. While starting from shoplifting, they decide to pickpocket on streets. Will their ambition beat them down and have them arrested? Throughout Speaking Low, Joyce and Lily’s friendship also entails an ambiguity of their sexuality.

“Dare Ya!” explores what has made the members of Hong Kong’s most controversial band, LMF (LazyMuthaFuckaz), the new “voice of Hong Kong youth”. Their music may raise eyebrows with the older generation, but to their hardcore fan base, LMF’s point of view is their “voice” and their music is the heartbeat–and their hopes, dreams, nightmares, concerns, problems, and solutions for their future. As the title of this raw, different, relevant, and timely film suggests, “Dare Ya!” is a challenge to Hong Kong to take a good look at itself, warts and all, because only by facing up to our flaws can we become the “World City” that we aspire to. “Dare Ya!” is not just a documentary about the exploits and growth of ten ordinary young men from the Estates who just happen to be members of a rap band, but a wake-up call for Hong Kong.