One to Ten

The story is centered around the transgender protagonist Tzu-chi who has left home for six years and her sister Tzu-chuan with whom she has fallen out of touch for years. From reencountering each other with Tzu-chuan unable to recognize Tzu-chi, to the emotional nuances triggered by the subsequent recognition, the story profiles the protagonist’s gender identity, the contempt and even discrimination she faces from her work and social environment, and conflicts with her family. In the story, the protagonist goes through a series of unfortunate incidents with her sister. Long-repressed emotions and pressures finally pop the cap off, but this also becomes an opportunity for Tzu-chuan to resolve her inner conflicts. This film presents the theme “one can only truly move forward in life by newly confronting the obstacles they did not overcome in the past.”

Adapted from the short story "Shopping Cart" by writer LIN Xiuhe. The 31-year-old Tong and her partner return to the place where they met in college, passing through Wufu Road, where she was born and grew up, and recalling the hidden period of history in her life.

High school student Li Chih-hui worships martial arts movie star “Long” and dreams of becoming a kung fu master so he can defend himself from bullies. When classmate Chien Li-hua shows concern for the bullied Chih-hui, he begins to develop feelings for her. And when he finds out Li-hua is into divination and wants to become a spirit medium, Chih-hui pens a script entitled “Long and the Magic Princess” and invites her to star in it, but the bullies show up and knock Chih-hui unconscious. When he wakes up, however, Chih-hui suddenly declares that Long’s spirit now possesses his body.

On a weekday evening at McDonald's, a group of people gathers to read poetry. A guy tries to hit on a girl, a young woman argues with her best friend, and an onlooker watches all the drama unfold with gossipy amusement.

Mr.Huang, a truck driver who is legally the guardian, travels north to accompany his daughter, whom he hasn't seen for many years, to apply for a student loan for her university education. He pretends to have forgotten to bring his identification card, hoping to use this as an opportunity to spend more time with his daughter.

Soft, an escaped undocumented worker, clutches a woman's ID card in his hand. This woman is the goddess of his best friend, Chai, who yearns to meet her. To fulfill Chai's desire, Soft embarks on a journey, heading toward the location indicated on the ID card.

Retired Lao Cao and Xiao Lai, two old men, sit on opposite sides of a drinking table under an arcade in Taipei. They toast and talk nonsense like this every day, and they have done it for more than thirty years. A young director who meant only to watch somehow ends up at the table too, spending many absurd and moving nights with them. Years pass. Someone leaves, someone falls ill, and some relationships are repaired and then break again. The two men are old, they are nearly done with drink, and they no longer see each other often.