Theatre Girls

About the wives, fans, escorts, groupies and other females that surround the male rock stars.

Sicilian photojournalist Letizia Battaglia began a long battle against the ruthless Cosa Nostra when she first photographed the sinister scene of a brutal murder. Documenting the barbaric rule of the Italian Mafia, she was an unwavering witness to its crimes. Her art and courage helped end the horrific and bloody reign of the Corleonesi clan.

The practice of female genital mutilation is explored through personal stories of Kenyan women.

DIVORCE IRANIAN STYLE unfolds inside an Iranian divorce court, providing a subtle and intimate look at the lives of women in a country stereotypically associated with fanaticism and oppression. Astute and beautifully observed, the film reveals the ingenuity and humour with which Iranian women negotiate the restrictions of their society.

Set in Kumba in South West Cameroon Sisters in Law follows Adultery, Rape and Abuse cases led by a Female Judge.

This documentary is set in the New Marilyn night club in Tokyo, Japan - where the hosts are transgender men. They can only make their living as hosts in a nightclub with other wannabes like them. The young women who come there often have relationships with them but the underlying fear is whether such a relationship can withstand the pressures on a girl to get married and have children. All three boys deal with this in different ways. These three hosts, the Shinjuku Boys, take us into their lives.

In this first project of Kim Longinotto while she was a student at Englands National School of Television and Film she filmed the daily life in a girls boarding school situated in an old isolated castle in Buckinghamshire. Until she was 17, Longinotto lived in this boarding school, finaly she run away from there. In this dark and expressive black and white documentary, Longinotto exposes the repressive school from the students perspective. It seems to be a kind of miniature state with bizzare rules, idigestibel food and absurd punishments. The documentary begins with an graduation ceremony. The director blows her own trumpet, afterwards the film describes the daily routine of schoollife. The film ends up with the students leaving for holidays. As a result of this documentary, the boarding school was closed down one year after the release of the film.

This fascinating documentary is based around the Japanese wrestling organisation Gaea's rural training camp, and traces, in the main, the careers of four hopefuls. In charge are two magnificent specimens, the butch champion Chigusa Nagayo, still venting her hurt at the hands of her army father as she tries to whip her surrogate daughters through the pain and commitment barriers; and her sophisticated and slightly menacing Chairman. It's a gruelling, physical film, as you would expect, but the makers don't make heavy weather of it. And it certainly disposes of any idea that the game is faked.

Kazuko Hohki goes back to Tokyo with her band, the ‘Frank Chickens’, after living in England for 15 years. This wry and delightful film records her re-experiencing of Japan after a long absence, examining traditional attitudes to women and those of Kazuko’s friends who are trying to live differently.

RUNAWAY follows the stories of five young girls who arrive at a refuge in Iran’s capital city Tehran, having run away from abusive or neglectful families. Some are in despair, others are simply mischievous; but somehow they must all learn to face the future.

EAT THE KIMONO is a brilliant documentary about Hanayagi Genshu, a Japanese feminist and avant-garde dancer and performer, who has spent her life defying her conservative culture's contempt for independence and unconventionality. She denounced Emperor Hirohito as a war criminal, and dismissed death threats made against her by right-wing groups.

Harrowing at one moment and heartwarming the next, HOLD ME TIGHT, LET ME GO is set at England's Mulberry Bush School, founded by Barbara Dockar-Drysdale who developed unique methods for working with children suffering through severe emotional trauma.

Fearless, feisty and resolute, the "Rough Aunties" are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This newest documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption and greed to help the most vulnerable and disenfranchised of their communities.

Longinotto's documentary is about Brenda Myers-Powell, who fights against sexual exploitation and supports prostitutes in Chicago. Brenda knows what she is talking about: her own story, involving teenage prostitution and a life of violence and abuse, is in stark contrast to her dauntless energy and optimism.

When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village.

Sampat Pal Devi, founder of India’s Gulabi (“Pink”) Gang and fearless defender of the rights of untouchable women, challenges husbands, fathers-in-law and policemen in this immersive study by acclaimed documentarian Kim Longinotto. More than a profile of an everyday heroine, the film captures the courage and sacrifice necessary for social progress.