Mon cher Simon

A major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.

Two lesbians are victims of a break-in. Together with their clan of friends, they undertake a wild investigation, with suspense and rigour, to arrive at the truth. Sensitivities are aroused around life choices, and political choices. Questions of morality comically embellished with words of abuse falling into drunkenness.

May 68. While, outside, people are demonstrating, a man is finishing the editing of Baisers volés.

Lussas is a small village in South Ardeche, France, with only one main road crossing the village. This real village, with farmers and vineyards, is also turning over time into the Hollywood of documentary films. A few people are preparing the launch of a television channel. From this sweet utopia to the inauguration of a high-tech tool on the internet Claire Simon depicts a singular adventure of our times in 26 episodes.

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

Summer of 1964. The professor Carlos and the couple Dário and Alda spend time together in the beach during vacations. Away from the colonial war, everything seems lost in time.

February 1980, Plogoff. A whole town refuses the installation of a nuclear power station close to the Pointe du Raz, overlooking Sein island in the bay of Audierne opening onto the Atlantic Ocean. Six weeks of daily struggle led by local women, children, fishermen and farmers, determined to preserve the soul of this Finisterian land. Six weeks of joys, tenderness and drama... This is the historic epic of the people of Cap Sizun face to face with the pressures of modern society.

After falling off her horse, a teenage girl is rescued by a manly, older fireman with whom she falls in love with tragic consequences.

As French kindergarteners pour forth for recess, play takes on epic proportions. In every corner, some miniature drama is unfolding. Violence, love, jealousy, treachery are all here! This is human society in the making.

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.

After committing a hit and run, a man insinuates himself into the lives of the victim's family.

A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

Mimi isn't a star, she's just someone. A close-up of the singularity of a real life. An encounter of someone's particular story, romance, fantasy and territories.

Claire Simon portrays an important time for any individual, from 16 to 18 years of age. Set in the Paris suburbs in high school (for those lucky enough to go), teenagers chat after and even during class, sitting in the hallway or outside on a bench, looking at the city below them.