Primeiro de Maio com Mia

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.

What difference does it make to the map, if it contains you? A frontal encounter with the map, takes us on a tour of the symbiotic circuits between the map and how transformations of spaces in the era of digital capitalism. "The map does not walk, fly, run, feel uncomfortable, have no opinion. There is no government for the map, there is no coup, there is no revolution."

In 2009, a man and two accomplices try to evict members of the Indigenous community of Chuschagasta in northern Argentina. Claiming ownership of the land and armed with guns, they kill the community’s leader, Javier Chocobar. The murder is caught on video. It takes nine years of protests before court proceedings are finally opened in 2018. During all this time, the killers remain free. The film combines the voices and photographs of the community with courtroom footage to explore the long history of colonialism and land dispossession that led to this crime.

Ariel Kuaray Ortega returns to his hometown to visit his grandfather in a region of Brazil bordering Argentina. He wants to finally hear the full story of Canuto, a fellow villager who turned into a jaguar and then died a tragic death. A plan soon arises to make a film about the mysterious Canuto, with the villagers playing all the roles.

Recife, undergoing so many changes, was the scene of a party of joy and tension, sports and politics. A happy experience, but full of the contradictions that make Brazil be Brazil and here wins the face and the space of Recife.

In Brazil of yore, ex-humans feed on a fleeting drug.

Fifty years after it was recorded, the footage of the graduation of the first and only class of the Indigenous Rural Guard reappears. In 1970, eighty indigenous marched, in uniform, in the courtyard of a police station, to the leadership of the military dictatorship. Fifty years later, the film seeks out these guards - their bodies, their stories, their memories. Fractures, silences, what remains and what is lost in violent Brazilian history.

Mythical-religious interpretation of the Mbya-Guarani on 17th century Jesuit reductions in Brazil, Paraguay and Argentina.

In July 2014 the police of Pernambuco used extreme violence against the Movement Occupy Estelita. Without trying to open any channel of dialogue, the riot squad, GATI and other troops used a disproportionate amount of force for the repossession of an area from José Estelita pier, in the city of Recife. It got clear during the day that the police were there not only to carry out a lawsuit, but to try to repress a legitimate movement of civilians.