Above Club: A documentary about We Are The City

A young woman, and her last memories of the five people who loved her most, recalled while experiencing a catastrophic event.

Reporting from the frontlines of the Okanagan wildfires, Stan documents uncommon heroism on his blog while hoping for a big break that’ll make him a household name beyond Peachland. But when he’s unexpectedly charged with a shocking crime, he must scramble to salvage his reputation with the civic leaders who respect him and save his marriage to Gail, the woman who’s supported him amidst his various struggles. But how will Gail react when the extent – and nature – of the charges are revealed and his innocence is hardly assured?

The world strongest man learns how to embrace his mental health challenges by confronting his inner demons and dealing with his biggest failure to date which ultimately changes his life.

On British Columbia’s remote Southside, wildfire is not an abstract threat—it is a lived reality. As flames close in on a frontier community, the Cheslatta Carrier Nation and their neighbours face an impossible choice: evacuate, or stay to protect the land that defines them. With limited access and little outside support, the community responds collectively, drawing on Indigenous leadership, cooperation, and generations of knowledge to confront the fire in near isolation. In the aftermath, the burn reveals a long-erased Cheslatta village site, resurfacing a suppressed history just as their response gains wider attention as a model for resilience. But when the flames recede, new constraints emerge—raising questions about the limits of community-led action, and the fragile balance between survival, autonomy, and authority.

As memories, our favorite concerts are not recollected as linear events, but as fragmented pieces of a collective experience. In hopes of touching the warmth of these moments, we keep them nearby like cherished novels in the bookshelves of our minds. All Together Now is the concert doc reimagined. Akin to our mind’s eye, the film approaches documentation with an abandon for linear history. We don’t witness an evening from the past so much as feel its gravity. Beautiful and abstracted concert footage from Dan Mangan’s 2019 homecoming show at Vancouver’s historic Vogue Theatre is artfully woven within the narrative, philosophy and context of what it means to be in concert with people.