In the cross-fade of time, sense and the three elements of our existence

Rape is a social cancer. Women are victimized everywhere. The country is roaring. The intellects are walking with candles. The government pay the allowances to the victim. The oppositions are taking advantage. The process of purgation has been already started. The media get excited with justice. But, what will happen if the victim is not a female? A strip of a bra. A cot of underwear. The wire is the only witness of two suicides. A male! A female! A gender less animal (it!)! Customs! Witchcraft! Expurgation! Government! All these nonsense! Hypnotism.... Death, Death n' death with materials! Murder! Murder! Murder! No rally! No protest! Behave like all three stupid monkeys! Shameless hypocrisies! Go the hell! Piss! Stools! Vomit! False! False! False! Fuck! All these under authorities! Materialized under an obsolete altar!

After some decisive titillation by IPC 377, a claustrophobic man cages himself into a circle of hallucination. The film simply follows his fantasies frame by frame.

An illiterate 14-year-old boy becomes an educator of a slum.

A story of a man stuck in between a season, the austere renunciation of time, the chance tone of a color that brings back memories of bygone days.

A 30-year-old cycle rejuvenates its life with the help of his new companion.

Anomalies transliterate a twin-channel simulation imagining the visual-semantic proximities to the medical conditions of fibrosis and thrombosis. The videos are disassociated from their provincial significations to reflect the barest textural surface of the conditions. Hindered blood channels, palpitation, restlessness, and breathing irregularities are mapped in their formalist rhythm with metaphoric linkages. The synthetic blend of visuals and noises attempts to retrace human corporeality in global systems of communication and primordial conditions of life. With the onset of the coronavirus pandemic and worldwide lockdown, it has become evident how transnational networks reconfigure in response to the often disavowed precarity of the human body. This work attempts to remember our organismic vulnerability amidst contemporary transactions.

Farrago is an unkempt diary that generates a stream of audio-visual dissonance without an attempt to resolve it. While some parts of the varied montage traverse along with contemporary political issues, other parts blend fictional and documentary narratives to spawn a meaningless tale of a city and its fathomless vigor. This film failingly tries to construct a narrative out of small, disjointed and unassociated clips; yet, this failure itself is imbued with sporadic instances of political statements.

Anomalies transliterate a twin-channel simulation imagining the visual-semantic proximities to the medical conditions of fibrosis and thrombosis. The videos are disassociated from their provincial significations to reflect the barest textural surface of the conditions. Hindered blood channels, palpitation, restlessness, and breathing irregularities are mapped in their formalist rhythm with metaphoric linkages. The synthetic blend of visuals and noises attempts to retrace human corporeality in global systems of communication and primordial conditions of life. With the onset of the coronavirus pandemic and worldwide lockdown, it has become evident how transnational networks reconfigure in response to the often disavowed precarity of the human body. This work attempts to remember our organismic vulnerability amidst contemporary transactions.