The Last Lear

Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.

The story revolves around a girl called Sohini (more commonly known as Pupe) from an orthodox Tagore worshipping family and Gora, an extremely talented but carefree lad, who keeps on experimenting with Rabindra sangeet. The story traces their relationship and human emotions through an imaginative portrayal of Tagore, his true ideals and their significance today. It also portrays the patriarchal society still prevalent in modern India.The serial used more than fifty Tagore songs and brought out their relevance in the lives of the protagonists. The cast was composed of stalwarts such as Sabyasachi Chakrabarty and Dipankar De plus newcomers Gaurav and Arjun Chakrabarty (sons of Sabyasachi Chakrabarty ). The female lead was played by Mimi Chakrabarty in only her second project as an actress. The show has portrayed three different forms of Rabindrasangeet: the more traditional kind through the voice of Pupe, a fused version with Hindustani classical music, through the voice of Pradipto, and an 'unplugged' rendition, sometimes incorporating rap words and band music, through Gora.

A female dancer becomes famous but loses her relationship with her daughter on the way.

A young woman is left to her own devices when her sickly husband dies. Based on the novel by Rabindranath Tagore.

Tells the story of two lovers, separated by destiny, who meet again one day. This encounter allows each to realize the truth about the lives they are living.

Three generations of a family live together but they are very different from each other. The three young sons learn various lessons from life and end up as better human beings.

An actress mysteriously dies after the "Shubho Mahurat," a celebration of the first shot of the film. A journalist and her perceptive aunt investigate.

A quiet drama about a lonely, sad, middle-aged woman, Banalata, who has lived a solitary existence since her husband-to-be died the night before their wedding from a snake bite. Never having quite gotten over the tragedy, she rarely ventures out and is clearly very lonely. This changes when she agrees to allow a film production to shoot in a wing in her sprawling estate.

Months after an accident following his marriage, a husband finds that the veiled woman he brought home is not his wife.

In late 19th Century, Bengal Bhubaneswar Chowdhury (Jackie Shroff) is a wealthy and tyrannical Zamidar (Squire). He has two main obsessions: his desperate attempts for an heir, which even his new second wife Jashomati seems unable to deliver; and competing with his regional rivals to produce the most magnificent effigy of a goddess for the annual Durga Puja ceremony. This year he concocts a master plan - why not change the face of the goddess for the most powerful woman on Earth - Queen Victoria. Meantime his two wives Mahomaya and Jashomati try to look out for one another especially as Bhubeneshwar begins to sexually assault his younger wife each night. Traumatised and lonely, Jashomati is dangerously drawn towards the youthful sculptor who has been employed to create the great effigy of Durga, Goddess of destruction.

A tender coming-of-age drama that explores the evolving dynamics between a mother and daughter against the serene backdrop of Darjeeling. The film beautifully captures themes of adolescence, longing, and the complexities of familial relationships, offering a heartfelt glimpse into the delicate threads that bind us.

Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts gloom, resulting in dramatic incidents.

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.

When a car accident lands her husband, Kaushik, in the hospital, Kaberi's life takes a dramatic turn -- in more ways than one. Anguish over Kaushik's dire condition gives way to anger when Kaberi learns he was having an affair with his co-worker. Torn between sympathy for her bedridden husband and the sting of his betrayal, Kaberi weighs her options.