Encounter with Saul Alinsky - Part 2: Rama Indian Reserve

Dennis Potter a television dramatist talks about his work, politics and his fears for both.

For the Record, an anthology of 60-to-90-minute dramas, started on the series, Performance, as a subseries called Camera ’76. A collection of docudrama-style short stories on diverse but socially relevant (and very Canadian) topics such as unemployment, euthanasia, spousal abuse, televangelists, aboriginal issues, and anglophone-francophone relations. This series attracted most of the 'big name' Canadian actors and directors of the time.

A little drama, almost a love triangle, filmed on the Canadian Atlantic coast, about a fisherman, his girl, and his boat. The boat needs a new engine but the owner lacks the cash. His girl's undertaker brother has money enough if he can be persuaded to lend it. What develops in the film is an object lesson showing that neither a boat nor a girl can be taken too much for granted.

"The Best Damn Fiddler from Calabogie to Kaladar" tells the story of Emery Prometer, a proud bush worker in Ottawa Valley, resisting government aid to support his family. The film compassionately depicts their struggles and the resolve of Emery's daughter, Rosie, (Margot Kidder in her film debut) to break the cycle of poverty through education. This '60s NFB standout authentically portrays their dignity amid hardship, showcasing Canadian filmmaking despite hurdles from private broadcasters' cost concerns. The Best Damn Fiddler from Calabogie to Kaladar won eight Canadian Film Awards, including Best Picture (John Kemeny, Barrie Howells), Director (Peter Pearson), Cinematography (Tony Ianzelo), Screenplay (Joan Finnegan) and Lead Actor (Chris Wiggins).

The Littlest Hobo is a Canadian television series based upon a 1958 American film of the same name directed by Charles R. Rondeau. The series first aired from 1963 to 1965 in syndication, spanning six seasons and was revived for a popular second run on CTV from October 11, 1979 to March 7, 1985. It starred an ownerless dog. All three productions revolved around a stray German Shepherd, the titular Hobo, who wanders from town to town, helping people in need. Although the concept was perhaps similar to that of Lassie, the Littlest Hobo's destiny was to befriend those who apparently needed help. Despite the attempts of the many people whom he helped to adopt him, he appeared to prefer to be on his own, and would head off by himself at the end of each episode. Never actually named on-screen, the dog is often referred to by the name Hobo or by the names given by temporary human companions. Hobo's background is also unexplained on-screen. His origins, motivation and ultimate destination are also never explained. Although some characters appeared in more than one episode, the only constant was the Littlest Hobo himself.

In this feature documentary, American community organizer and writer Saul Alinsky goes to war against the conditions that keep the poor in poverty. The film shows how he helped Black ghettos in the United States find an effective, non-violent method of fighting for their rights.

Not many people can see the dead (not many would want to). 12-year-old Johnny Maxwell can. And he's got bad news: the council want to sell the cemetery as a building site. But the dead have learnt a thing or two from Johnny. They're not going to take it lying down... especially since it's Halloween tomorrow.

The sponsors of a drug-rehabilitation center stage a robbery to maintain funding of the facility, but the loot turns out to be syndicate-owned.

A hockey player in a small town begins to lose his grip on reality and starts to believe that he is a gunslinger in the Old West.

In this socially conscious drama, a TV journalist begins investigating a large factory that has been threatening the health of the children who live in the town's poorest, most polluted section. Because of his investigation, he and his family are threatened by company thugs. He gets no help from his TV station as they are loathe to tangle with big business.

Pierre is a Montreal photojournalist who returns from Nicaragua to find that his ten-year menage a trois is over. Haunted by his mid-life crisis, he becomes obsessed with trying to find out why his two lovers, Sarah and David, have left him.

This documentary follows a community action group led by American community organizer and writer Saul Alinsky in Rochester, New York. Together, they confront the community's largest employer on the issue of corporate responsibility and the employment of minority groups.