The Filmmaker's House

Director Marc Isaacs installs himself in the lift of a typical English tower block. People start talking to him, and we discover their lives.

Philip and His Seven Wives (2006) a film made for the BBC’s prestigious Storyville strand, tells the intriguing story of a former messianic rabbi who believes that he communicates directly with God. Isaacs’ captivating and intimate documentary is a portrait of this unconventional family whose lives revolve around faith and obedience to the head of the household.

A stark portrait of a town in decline. Brilliant juxstaposition between the scoff faced English day trippers searching for cheap booze, and the cold, snivelling asylum seekers existing on the streets. Thrown into the mix are two English ex pats, trying to make money against the odds.

In Men of the City, Isaacs takes a more stylised approach to the lives of workers in the City of London during the recent financial meltdown, balancing sensitive portraits of diverse individuals striving to retain their dignity and humanity in the midst of the crisis. Strong human characters are at the heart of all of Isaacs' work, and with these films he continues to create a unique vision of modern Britain.

On the oldest Roman road in the capital, filmmaker Marc Isaacs weaves together numerous poignant stories of loss and the search for belonging into a tapestry of the human experience. Keelta a young Irish woman leaves home to build a new life for herself on the road where Billy, the old Irish labourer is struggling to find a meaning to his life. Peggy, a 95 year old Jewish refugee from Vienna and Brigitte, a German born former air hostess, have both suffered bad husbands, whilst Iqbal, an unassuming Indian hotel concierge, awaits the arrival of his wife from Kashmir. A film that forces you to recognise the struggles and preoccupations of its characters as our own.

A very emotional look at the loneliness and heartache often conjured whilst travelling by train.A powerful and stunning piece with a focus on love lost, love found and regret.

Our host Ben Ferguson and director Marc Isaacs travel to the Lincolnshire town of Boston to reveal a local story about communal fears about change and immigration.

Marc Isaacs makes a deal with The Synthetic Sincerity Lab, an AI research project affiliated with the University of Southern England. There, researchers are investigating the possibility of teaching AI characters authenticity, using characters from Isaacs’ documentaries to do so. In return, they allow Isaacs to film the process.

Two ageing siblings sit next to each other in a pub, waiting for instructions from the filmmaker which never come. They watch the time go passing by.

Splices together images from Isaacs's documentaries to create an experimental montage set to a soundtrack.

Frinton-on-Sea is a town that doesn't like change. The shops, the sea front and even the people haven't changed for decades. So when Network Rail announced it was going to automate the town's manually operated level-crossing gates, there was a call to arms. Filmmaker Marc Isaacs meets the people who have decided to grow old in England's most conservative seaside resort.

Over a single night, the filmmaker invites the viewer to experience the life of an elderly man tied to his bed.

They arrive, they smoke, they wait - armed robbers seeking redemption, life-long thieves, addicts and anxious fathers of wayward children. Hard exteriors hide soft centres, old lives exist in young bodies - ordinary people awaiting judgement on an unlovely stretch of pavement outside a London magistrates' court. Whilst waiting for their cases to be heard they reveal their lives, and the complexities of the human soul are laid bare. Tense and intimate conversations with the filmmaker illuminate stories that the magistrates hear daily. Director Marc Isaacs spent three months outside Highbury Magistrates Court and, in doing so, demonstrates how the eye of the camera has the ability to delve much deeper into character and motivation than the eye of the law. Consequently, the more we get to know the characters in this film, the harder it is to make easy judgements. Whilst the court must judge, the filmmaker need not.

The body of a young Polish woman is found in a suitcase on a London canal adjacent to a block of flats. The filmmakers invite the residents to reflect on how the murder has affected them. Through their stories we are provoked to think about our own relationship to the strangers living in our midst.

The residents of a Bangladeshi village anxiously wait for the heavy monsoon rains to clear. However, the rain continues and catastrophic flooding submerges their crops and houses.

Built from the ground up from a series of introspective shots throughout Marc Isaacs's significant body of non-fiction work, Moments of Silence captures people feeling overwhelmed by difficult thoughts, pause and fall silent, seemingly dwelling on their past, contemplating their current ordeals, or worrying about their future.