Grazie Lia

The program consists of clips featuring interviews conducted by the two directors with alienated, crazy, and squalid characters against the backdrop of a desolate Sicily. A characteristic feature is the black and white footage. The subjects are all strictly male: there is no place for femininity in absolute squalor and desolation.

Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.

“Being born in Palermo is a kind of punishment, but I’ve never left because it would feel like betrayal. Moreover, I can’t imagine Cinico Tv in any other place in the world.” To Franco Maresco, a brilliant, solitary director from Palermo, his city was the stage of a surreal comedy of rampant decay just as the Mafia was renegotiating the division of power and influence in the emerging Second Republic. Ruins, trash, scraps, underwear, flatulence and burping raided the TV screen at dinnertime in Italian homes in the spring of 1992, sparking hostile cultural debates about the limits of trash and the aesthetics of ugliness, the sense of post-history and post-humanity

After two hapless TV technicians stumble upon a murder scene, every step they take to avoid becoming suspects lands them in deeper trouble.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

A gang of teenage boys stalk the streets of Naples armed with hand guns and AK-47s to do their mob bosses' bidding – until they decide to be the bosses themselves.

The story of the descent into madness of Mussolini's secret first wife, Ida Dasler, who was seduced by his passion and vigor but blind to the fascist dictator's many flaws.

Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…

The Italian duo Ciprì & Maresco, known to be cynical deconstructionists, weave a fascinating film around memories of a decadent Sicily. Ruins, memories of ruins - memories are ruins. This thoroughly surrealist piece unfolds like a dream, with no clear direction but the haunting feeling of familiarity and the ready acceptance of otherness as oneness.

Pietro and Eleonora, both avid gardeners, are strangers who only meet because their two terraces are close to each other. The relationship that grows between them helps them to alleviate the pain each feels over something secret and very serious, a pain both try to hide from themselves and those around them. In this limbo they inhabit, the two make a stab at finding happiness together, until their paths diverge once more.

A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.

1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour du Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives.

Young and in prison for theft, Daphne falls in love with Josh, another inmate. Their love story exists through secret letters and fleeting conversations.

A thief and a priest end up magically transported in the year 0's Palestine, where they'll have to make sure that the Nativity will follow its course.