De cuando la muerte nos visitó

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.

Oswaldo Guayasamín, one of the most renowned Latin American artists, with more than 600 portraits in his pictorial career, (among which are F. Mitterrand, Carolina de Mónaco, Juan Carlos I, Rigoberta Menchu) paints his self-portrait, while he tells us the foundations of his art.

Anna comes from a violent past that has left her a recluse in her solitude.When a man knocks at the door her infancy returns....Will Anna open the door to the universe that she has created for herself to let life enter?

Eyewitnesses, including Castro himself, look back on the period of resistance and the toppling of Batista's dictatorship. By zooming in on the individual within the collective, the detailed story of the revolution unfolds. In the oral tradition, various Cubans report on oppression, violence, arrests, kidnappings, shootouts, escapes, the guerrilla fight from the mountains and the subsequent triumphant entry into Havana. Their stories are interspersed with archive footage and pictures showing the beauty of contemporary Cuba. In this film, the revolutionary generation muses on the situation on the island 47 years after the heroic revolution.