Del otro lado del puente

The story of a man who is mistaken for the winner of the Christmas lottery prize and starts handing out borrowed money.

The young daughter of a murdered rancher takes possession of her lands in Patagonia and must fight criminals alongside a teacher.

Semi-documentary film in which a fictional plot is narrated linked to events that really occurred in the history of Argentine aviation between 1908 and 1938.

As stowaways, the "Big Five of Good Humor" arrive in Casablanca. There they will launch themselves in defense of four girls kidnapped by a man, about to be sold to the harem of an Arab sheikh.

During the so-called Conquest of the Desert, Major Sarabia is sent to the Cruz del Sur fort to replace Major Molina, who was murdered at the hands of the Indians. He is the only one who can stop Santiago, "the most rebellious of the caciques of the southern border, the only one who does not accept peace with the government."

An orphan girl with a mother who lives in the care of her grandfather in the south of the country and the conflict caused by the arrival of her father.

Four men, known for their reckless actions, are arrested one night after ruining a dinner party. They are soon released and go to visit their uncle who is sick. The four of them decide to travel to Africa to try to find a cure for their uncle, but they get into a big mess.

An Italian immigrant accumulates wealth for their children, all consider him a miserable, until one day one of her children gives a very big disappointment and dies of a heart attack. Their children begin to spend the fortune he had amassed his father.

A humble man pretends to be a millionaire. When a young man arrives in town asking for his help, he will try to hide the truth.

The story of several women who reach motherhood in difficult conditions.

The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.

“My life was the same as that of thousands of gringos: I plowed and sowed the land, and went to the bar on Sunday.” Such is the refrain throughout LA PAMPA GRINGA, which endeavors to relate the sense of community built by the European settlers who in 1865 first colonized the town of Esperanza, located in Birri’s native province of Santa Fe. Largely consisting of juxtaposed daguerreotypes from the period and newspaper printings, LA PAMPA GRINGA exhibits Birri’s ability to weave narratives out of historical documentation in deft, admirable form.

A vaudeville singer secretly marries a wealthy landowner, who soon returns to his ranch, fearing the rejection of his snobbish family. To teach him a lesson, she shows up at his estancia pretending to be a maid.

In a fort in the middle of the Pampa, their commander Hilario Castro decides to bring women from Buenos Aires to prevent deserting soldiers.

The film begins with some sequences related to the youth of Dr. Ricardo Gutiérrez, his arrival in Buenos Aires from his native Arrecifes, his law studies and a double frustration, as a writer and in his crush on a young woman who loved another man.