Four Chapters

This documentary celebrates legendary Bengali singer-songwriter Kabir Suman and his enduring muse, Kolkata. While showcasing a formidable body of Suman's timeless songs, which also construct the narrative of his life, the film demonstrates why he might just be world's greatest unsung singer-songwriter and how easily genius too can slip through the cracks of history.

This winter, there's no escaping the shivers as ZEE5 Original 'Parchhayee' is all set to bring to life the most bone-chilling horror tales of celebrated author Ruskin Bond. The mysteries unravel from 15th January! Here's a first look at 'Parchhayee'.

Tired of the corrupt Communist regime and its policies, a group of flying humans and black magicians join forces to hatch a conspiracy and wage a guerrilla attack against the totalitarian government and overthrow it.

It is Christmas Day in Calcutta and David Dawson is off to celebrate it with his sweetheart, Nandini Shom. The meeting does not go well as Nandini wants him to start working so that they can get married and start a family, while David wants a career as a musician. She tells him that she will never see him again. Despondent, he returns to his rented apartment and is chided by his landlady, Lillian, who threatens to have him evicted as he has been delinquent in paying his rent for over a year...

Manju Singh and her husband are hosting a get-together of families on a really warm night. Between the snacks, drinks and the laughs, something completely unexpected happens.

Five directors come together to narrate five different romantic tales, with one common ingredient - "Love".

Post his parents' divorce, Soumyo lives with his father in San Francisco but returns to Kolkata after his mother dies. There, he learns a lot about his mother through her diary and all her belongings.

Based on Nabarun Bhattacharyas novel of the same name which won the highest literary prize in India in 1997, Suman Mukhopadhyays debut feature Herbert is a deeply moving and artistically accomplished motion picture full of profound laughter, pathos, and humanity.

Gundeep and Nikhat are making a documentary on the government-based project of psycho women who killed several kids with her daughters. Prajakta Deshpande was a psycho woman who would sleep with men and kill them after robbing their valuables this bought a very bad upbringing for her daughter Rega who also lost mental imbalance as she was badly abused by Prajakta. Prajakta then married military officer Deshpande and had a daughter Shikha and things were going fine but old habits die soon.

Indrajit (played by the consistently stellar Ritwick Chakraborty) is an intelligent if indecisive man of 35 on holiday from Kolkata to visit his old college friend Moloy. He arrives to find Moloy constantly battling with his neglected wife Tuki, a formidable woman seeking elsewhere for the tenderness she fails to receive at home. In town, Indrajit comes across a familiar man whose insistence that they’ve never met before clearly masks an intriguing secret. Then, Indrajit runs into an old lover and her jealous husband, setting the stage for some fierce confrontation.

Three stories show the changing face of morality, the degeneration of values, the increasing pollution of the spoken language, and the changing social fabric of Bengal.

Whenever love leaves, it leaves traces. Those traces cling on to old times and familiar spaces.

'Nazarband', the National Award-winning filmmaker's first outing in Hindi, is inspired by a short story by much- revered Bengali writer Ashapurna Devi and depicts the journey of two young people.

Doll’s House is a Hindi play starring Swastika Mukherjee, Subhrajyoti Barat, Ratnabali Bhattacharya and Dibyendu Bhattacharya. Keya is a pampered wife and her husband, Shubhodeep, treats her like his most prized possession. All decisions are made by Shubhodeep and the only time Keya lies to her husband is when she takes help from Bansi, her husband’s colleague. Will Bansi spill the beans and put her marriage at stake?

A 1970s Naxalite political prisoner wakes up or returns after a long lapse of 26 years. The narrative explores generational divides, memory, and ideological shifts between the older political activist and his son. This is a filmed version of Bratya Basu’s 2002 play of the same name, staged and shot as a film.

*Sir Sir Sarla* explores the complexities of love through three interconnected lives. University students Sarla and Phanidhar share a deep affection for their professor, Palekar, but in very different ways. Sarla is romantically in love with him and dreams of a future together, while Phanidhar's feelings are a conflicted mix of admiration, resentment, and blame. He believes the professor's decision to distance Sarla and encourage her marriage to Keshav has left all their lives unfulfilled. As Sarla finds herself neglected in her marriage, old wounds resurface, leading to a series of confrontations that leave the audience questioning whether Professor Palekar's choices were truly the right ones.