Desde adentro

From an early age children are brought up very differently depending on their gender. The process of discovering the world is a veritable box of surprises in which school, the family and the media programme us about what it is to be a “good” girl or a “good” boy.

The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.

The engineer Eladio Dieste, the most innovative architect in Uruguay, is interviewed by the architect Mariano Arana. He talks about the ethical responsibility involved in creating, the idea that the things that surround us should be beautiful, and how important it is to use our intelligence and creativity to produce original responses and generate our own ways of thinking.

A record of the works and reflections of this notable Uruguayan sculptor as a starting point to question the fate of art in our society, a question of how this artistic expression remains limited to a restricted area due to the lack of a true cultural policy.

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

Free adaptation of the story “Muebles El Canario” by Felisberto Hernández, with Leo Maslíah in the leading role.

In 1988, the indebtedness of the land adjudicators of the National Colonization Institute faced a controversial refinancing law that made their subsistence unfeasible. The settlers envisioned an opaque future in which the depopulation of the campaign was going to worsen with more emigration and with the disappearance of more rural establishments.

A musician and composer who grew up in Tacuarembó, Eduardo Darnauchans, was one of the main creators of popular music in Uruguay. He was persecuted for political reasons from 1962 to 1984, and this documentary covers his life and work as a reflection of that troubled time.