The Knight, Death and the Devil

Set in Italy in 1946 just after World War 2, the film explores the lives and emotions of a group of patients who are terminally ill and confined to an isolated sanatorium.

A Sicilian girl of aristocratic origins escapes the mafia, changes her identity and tries to rebuild her life as a model in New York.

A photographer makes a journey to East Europe to document traces of the past, birth of the new, recovery of long forgotten traditions.

Sicily, 1951. A young literature teacher secretly falls in love with Maria Venera, the most beautiful girl in town who lives in the decrepit palace of her grandfather, an old aristocrat who squandered his fortune.

Alex is separated and has a young daughter, Elo. After a youth studded with failures at university and in political commitment, he leads a mediocre existence alongside Margit, his new partner, and his friends Pais and Capace. Margit invites Alex to Giangi's birthday party who, in the 70s, was involved in the death of his brother during a student demonstration. Alex discovers that Giangi is having a clandestine relationship with Margit.

A man, who unintentionally killed a little girl when he was a child, goes back to the house where he was born, the place in which the accident happened.

A man's journey becomes the wonderful experience of a grandfather and his granddaughter. In the intimate evocation of Ernest Hemingway, the old man leads the little girl into the historical memory of the land where the great writer lived. Riding their bicycles and recalling a past of timeless art and culture, the two will reach the most beautiful destination: the one from which to start again.

A mock "diary" investigates rites and customs of African tribes.

A mentally disturbed woman arrives in Rome to find a city fragmented by autocratic law, leftist violence, and her own increasingly unhinged mission to find the most dangerous liaison of all.

One day in Palermo and in the life of young boy Toto who is madly in love with the beautiful teenager Lina.

A fashion model / waitress (Eva Grimaldi) gets sucked into a strange, sadomasochistic relationship with a mysterious man and starts to ignore her loving but “square” boyfriend.

In 1956, Roberto Rossellini was in the throes of a personal and artistic crisis. His recent films with Ingrid Bergman had flopped, their marriage was falling apart, and the press was relentless. When Bergman returned to Hollywood, Rossellini accepted an invitation from Indian Prime Minister Nehru to document India's progress. With doubts and a suitcase full of spaghetti, he set out to find a creative and emotional rebirth in India, inspired by a culture that balanced tradition and modernity.

A Sicilian janitor gets visited by a Madonna statue in his dreams, telling him that she is buried under an olive tree and asking him to help getting her out of the earth.

A woman's husband is blinded in an auto accident, so she hires the other driver as a chauffeur. Then she catches her blind husband with his mistress so she seduces her new chauffeur into murdering him.

Young woman falsely suspected of murder, flees, adopts an alternate identity and tries to find the real killer.